THOMAS HOUSEAGO
THERE IS A CRACK IN EVERYTHING THAT'S HOW THE LIGHT GETS IN
01 SEPTEMBER - 06 OCTOBER, 2009| 2009 | Buhr, Elke, “Unheimliche Begegnung in der dritten Dimension”, Monopol, Dezember 2009, S. 64-74. |
| | Holte, Michael Ned, "Back to the Monumental", Kaleidoscope, Issue #1, März/April 2009, S. 11-15. |
| | Wood, Eve, "Thomas Houseago: Serpent," THE, Februar/März 2009, S. 44. |
| | Foss, Paul, "Thomas Houseago," Art in America, März 2009, S. 153-154. |
| | Campagnola, Sonia, "Thomas Houseago," Flash Art, Januar/Februar 2009, S. 99. |
| | Wagley, Catherine, "Bringing the Monument Back to Life," DailyServing.com, Januar 29. |
| | Casadio, Mariuccia, “3-D Futurity,” Vogue Italia, S. 194-195. |
| 2008 | Lawes, Viv, "Thomas Houseago: a giant of a man," The Art Newspaper, Dezember 2008, S.13. |
| | Charlesworth, J.J, “Special Focus: Apocalypse, In the Ruins of the Future,” Art Review, Issue 28, Dezember 2008, S.70-73. |
| | Sherwin, Skye, "Thomas Houseago," Art Review, Issue 26, Oktober 2008, S.37. |
| | Tappis, Jordan, “Art Basel.” Malibu Magazine, Februar/März 2008, S.37-50. |
| | Ward, Ossian, "Gothic Art Revival," Time Out London, 2. Januar 2008. |
| 2007 | Akbar, Arifa, "Saatch's New Stars: Collector Prepares For New Gallery Opening," The Independent, 23 July. |
| | Smith, Roberta, “Michael Queenland: Bread & Balloons,” The New York Times, 9. März, 2007. |
| | Sherwin, Skye, "Future Greats: Thomas Houseago," Art Review, März 2007, S. 78-79, 101. |
| | Bartels, Daghild, "Ein Fulltimejob für Die Kunst," Handelsblatt, 2/3 März, S. 1. |
| | Bartels, Daghild, "Jeder Penny für die Kunst," Parnass, Januar 2007, S. 78. |
| 2006 | Wright, Karen, “U.K. Artists Thrive, Why Not Open Turner Prize?” Bloomberg.com, 28. Dezember |
| | Spiegler, Marc, “LA art is here to stay,” The Art Newspaper International Edition, 8. Dezember, S.1- 8. |
| | Peterson, Kristen, “Good Shows,” Las Vegas Sun, 8. Dezember. |
| | Mason, Christopher, “It’s what’s on the inside that counts: New acquisitions in some familiar territory,” Art Basel Miami Beach 2006, Dezember 2006, S. 98B. |
| | Smith, Roberta, “More Than You Can See: Storm of Art Engulfs Miami,” The New York Times, 9 Dezember. |
| | Rochette, Anne and Wade Saunders, "Place Matters: Los Angeles Sculpture Today" Art in America, November 2006, S. 179 – 180. |
| | Segade, Alex, “Nothing Up The Sleeve,” Art US, Oktober / November, 2006, S. 16 – 17. |
| | Spiegler, Marc, "American Renaissance", The Art Newspaper Art Basel Daily Edition, 14. June, S.6. |
| 2004 | "Outstanding", Gemeente Haarlemmermeer, 2004, S. 20-23. |
| 2002 | "Hot Tickets, Exhibitions: Amy Bessone, Thomas Houseago", in The Bulletin, 19. September 2002. |
| 2001 | "2001 a public space odyssey, Nieuwe Kunst in Amsterdam", Arti et Amicitiae, Amsterdam, 2001, S. 11 |
| 2000 | Pontzen, Rutiger, "De vuile handen van Thomas Houseago", Vrij Nederland, 28. Oktober. |
| | van den Boogerd, Dominic, "De Frankenstein factor", HP/De Tijd, 3. November. |
| | Veugen, Christine, "De energie van gips en klei", Kunstbeeld, no. 14, November 2000. |
| | Smallenburg, Sandra, "Thomas Houseago", NRC Handelsblad, 10. November. |
| | Keijer, Kees, "Onvoltooid voorkomen", Het Parool, 3. November 2000. |
| 1999 | Pontzen, Rutger, "Glad IJs: viezige keuzen van Fuchs", Vrij Nederland, 9. Oktober 1999. |
| | "Glad IJs", De Standaard, 6. Oktober 1999. |
| 1998 | Lambrecht, Luk, "Dissonante Schoonheid", De Morgen, 7. August 1998. |
| 1996 | Suto, Wilma, "De aap die naar een stropdas verlangt", de Volkskrant, 4. Oktober 1996. |
| | Lutticken, Sven, "Groteske monsters van gips", Het Parool, 13. September 1996. |
ausgewählte Publikationen / selected publications
| 2008 | Art Now 3, Taschen, Köln 2008. |
| 2005 | Both Ends Burning, David Kordansky Gallery, October 2005 |
| 2002 | Stedelijk Museum in De Nieuwe Kerk no 1: Beeleden 1947>2002 sculpture, Stichting Projecten De Nieuwe Kerk and Stedelijk Museum Amdsterdam, Amsterdam 2002. |
| 2002 | Stedelijk Museum Amsterdam in 2001, Stedelijk Museum Amsterdam, Amsterdam 2002. |