| 1959 | geboren in/ born in Edinburgh, GB |
| 1960-66 | Trinidad |
| 1966-79 | Canada |
| 1979 | nach London gezogen/ moved to London, GB |
| 1979-80 | Wimbledon School of Art |
| 1980-83 | St. Martin’s School of Art, B.A. |
| 1989-90 | Chelsea School of Art, M.A. |
| 1990-00 | Trustee of Tate Gallery, London, GB |
| 2002 | nach Trinidad gezogen/ moved to Trinidad |
| 2003 | Gründung des/ foundation of STUDIOFILMCLUB, Trinidad (with Che Lovelace) |
| seit/since 2005 | Professur an der Kunstakademie Düsseldorf/ Professor at Art Academy Düsseldorf |
ausgewählte Einzelausstellungen / selected solo exhibitions
| 2009 | „Peter Doig: not for sale“, Contemporary Fine Arts, Berlin |
| | „Peter Doig, New Paintings“, Galerie Michael Werner, New York, USA |
| | „Peter Doig, New Paintings“, Gavin Brown’s enterprise, New York, USA |
| 2008 | „Peter Doig”, Tate Britain, London, GB; ARC / Musée d’Art moderne de la Ville de Paris, Paris, FR; Schirn Kunsthalle, Frankfurt |
| 2006 | „Go West Young Man”, Museum der Bildenden Künste, Leipzig |
| | „Peter Doig: Studiofilmclub 2003 – 2006“, Ballroom, Marfa, USA |
| 2005 | „Peter Doig: Works on Paper“, Windsor, Vero Beach; touring to London, GB; New York, USA; Toronto, USA |
| | „Studiofilmclub“, Museum Ludwig, Köln; Kunsthalle Zürich, Zürich, CH |
| 2004 | „Metropolitain“, Pinakothek der Moderne, München / Munich, Kestner Gesellschaft, Hannover/ Hanover |
| | „Peter Doig / Jochen Klein“, Daniel Buchholz, Köln / Cologne |
| 2003 | „Peter Doig“, The Arts Club of Chicago, Chicago, USA |
| | „Charley´s Space“, Bonnefantenmuseum, Maastricht, NL; Carré D’Art contemporain de Nimes, Nimes, FR |
| | „Peter Doig: Painter as Printmaker“, James Hyman Fine Art, London, GB |
| 2002 | „Peter DOIG. The Prints“, The Bailey Collection, Toronto, CA |
| | „100 Years Ago“, Victoria Miro Gallery, London, GB |
| | „Peter Doig: Works on Paper“, Michael Werner Gallery, New York, USA |
| 2001-02 | „Almost Grown“, The Power Plant, Toronto, CA |
| 2001 | „Peter Doig“, Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, CA; National Gallery of Canada, Ottawa, CA; The Power Plant, Toronto, CA |
| 2000 | „Echo Lake“, The Saint Louis Art Museum, Missouri, USA toured to Museum of Contemporary Art, Miami, USA; Matrix, University of California, Berkeley, USA |
| | „Almost Grown“, The Douglas Hyde Gallery, Dublin, IRL |
| 1999 | „Country Rock“, Contemporary Fine Arts, Berlin |
| | „Version“, Kunsthaus Glarus, Glarus, CH |
| | „wing - mirror“, Gavin Brown’s enterprise, New York, USA |
| | „Version (Drawings) in Rirkrit Tiracanija’ s apartment“, Gavin Brown’s enterprise, New York, USA |
| 1998 | „Peter Doig: Blizzard seventy - seven“, Whitechapel Gallery, London, GB; Kunsthalle, Nürnberg; Kunsthalle, Kiel |
| | „Buffalo Station“, Victoria Miro Gallery, London, GB |
| 1996 | „Freestyle“, Victoria Miro Gallery, London, GB |
| | „Homely“, Gesellschaft für Aktuelle Kunst, Bremen |
| | Gavin Brown’s enterprise, New York, USA |
| | „Small Paintings“, Riding House Edititions, London, GB |
| 1995 | „Blotter“, Contemporary Fine Arts, Berlin |
| 1994 | „Concrete Cabins“, Victoria Miro Gallery, London, GB „Moyra Davey / Peter Doig“, Gavin Brown’ s enterprise, New York, USA |
| | „Peter Doig“, Gavin Brown’s enterprise, New York, USA |
| 1991 | „Whitechapel Artist Award“, Whitechapel Gallery, London, GB |
| 1990 | „Articule“, Montreal, Quebec, CA |
| 1986 | „The Naked City“, Air Gallery, London, GB |
| 1984 | Metropolitan Gallery, London, GB |
ausgewählte Gruppenaustellungen / selected group exhibitions
| „Marlon Brando, Pocahontas and Me“, Aspen Art Museum, Colorado, USA | |
| 2007 | „The Painting of Modern Life”, Hayward Gallery, London, GB |
| | „Very Abstract and Hyper Figurative“, Thomas Dane Gallery, London, GB |
| | „Der Symbolismus und die Kunst der Gegenwart“, Van der Heydt Museum, Wuppertal |
| | „Leerräume des Erzählens", Wilhelm Lehmbruck Museum, Duisburg |
| | „The Secret Public - The Last Days of the British Underground 1978 - 88”, ICA, London, GB |
| | „Rockers Island - Olbricht Collection“, Museum Folkwang, Essen |
| 2006 | „In den Alpen“, Kunsthaus Zürich, Zürich, CH |
| | „The Secret Public - The Last Days of the British Underground 1978 - 88”, Kunstverein München, München / Munich |
| | „Tate Triennial 2006: New British Art“, Tate Britain, London, GB |
| | „Eye on Europe”, Museum of Modern Art, New York, USA |
| | „Essential Painting“, The National Museum of Art, Osaka, JP |
| | „Surprise, Surprise”, ICA, London, GB |
| | „Travelling light“, Bonefantenmuseum, Maastricht, NL |
| | „Stillpoints of the Turning World”, SITE Santa Fe Biennial, Santa Fe, USA |
| | „In den Alpen“, Kunsthaus, Zürich, CH |
| | „Tate Triennial “Days like these”, Tate Britain, London, GB |
| | „Whitney Biennial “Day for Night”, Whitney Museum, New York, USA |
| | „Imagination Becomes Reality Part III. Talking Pictures“, Sammlung Goetz, München / Munich |
| 2005 | „The Triumph of Painting. Part I“, The Saatchi Gallery, London, GB |
| | „René Daniels, Peter Doig, Silke Otto – Knapp“, Gavin Brown’s enterprise, New York, USA |
| | “Looking at Words: The Formal use of Text in Modern Contemporary Works on Paper”, Andrea Rosen Gallery, New York, USA |
| | “Munch Revisited: Edvard Munch und die heutige Kunst”, Museum für Kunst und Kulturgeschichte, Dortmund |
| | “Geschichtenerzähler”, Hamburger Kunsthalle, Hamburg |
| | „Wunschwelten“, Schirn Kunsthalle, Frankfurt |
| | „The Big Bang“, Centre Pompidou, Paris, FR |
| | Works on Paper: Georg Baselitz, Peter Doig, Jörg Immendorff, Per Kirkeby, Michael Werner Gallery, New York, USA |
| 2004 | „54th Carnegie International“, Carnegie Museum of Art, Pittsburgh, USA |
| | „Rheingold III“, Städtisches Museum Abteiberg, Mönchengladbach |
| | „Museum der bildenden Künste Leipzig“, Contemporary Fine Arts, Berlin |
| | „The Undiscovered Country“, Hammer Museum, Los Angeles, USA |
| | „Contemporary Painting“, Colby College Museum of Art, Maine, USA |
| | „New Blood : New Young Artists, New Acquisitions“, Saatchi Gallery, London, GB |
| | „Huts“, Douglas Hyde Gallery, Trinity College, Dublin, IRL |
| | „the undiscovered country“, Hammer Museum, Los Angeles, USA |
| 2003 | „Pittura / Painting: From Rauschenberg to Murakami 1964 - 2003. 50 International Art Exhibition“, Musei Civici Veneziani / La Biennale di Venezia, Venice, IT |
| | „‘Days like these’, Tate Triennal Exhibition of Contemporary British Art“, Tate Britain, London, GB |
| | „Unheimlich“, Städtische Galerie Delmenhorst, Delmenhorst |
| | „Happiness“, The Mori Art Museum, Tokio / Tokyo, JP |
| 2002 | „Premio Biello per L’incisione“, Museo del Territorio Biellese, Biella, IT |
| | „Cavepainting“, Santa Monica Museum of Art, Santa Monica, USA |
| | „Cher peintre – Peintures figuratives depuis l’ultime Picabia“, Centre Pompidou, Paris, FR; Schirn Kunsthalle, Frankfurt, Kunsthalle, Wien / Vienna, AT |
| | „The Galleries Show“, Royal Academy of Art, London, GB |
| | „Art + Mountains: conquistadors of the useless“, The Alpine Club, London, GB |
| 2001 | „About the Bayberry Bush, Parrish Art Museum, Southampton, GB, New York, USA |
| | „The way I see it“, Galeria Jennifer Flay, Paris, FR |
| | „Extended Painting“, Monica de Cardenas, Mailand / Milian, IT |
| | „Camera Works: The Photographic Impulse in Contemporary Art“, Marianne Boesky Gallery, New York, USA |
| | „Works on Paper: From Acconci to Zittel“, Victoria Miro Gallery, London, GB |
| | „Works on Paper“, The Kerlin Gallery, Dublin, IRL |
| | „Hier ist dort“, Salzburger Kunstverein, Salzburg, AT |
| | „EU“, Stephen Friedman Gallery, London, GB |
| 2000 | „Spot On“, Victoria Miro Gallery, London, GB |
| | „Twisted: Urban and Visionary Landscapes in Contemporary Painting“, Van Abbemuseum, Eindhoven, NL |
| | „Drawings 2000“, Barbara Gladstone Gallery, New York , USA |
| | „From a Distance: Approaching Landscape“, The Institute of Contemporary Art, Boston, USA |
| 1999 | „Peter Doig and Udomsak Krisanamis“, The Fruitmarket Gallery, Edinburgh, GB |
| | Galerie Ghislaine Hussenot, Paris, FR |
| | „From A - B and Back Again“, Royal College of Art, London, GB |
| | „Contemplating Pollock“, Victoria Miro Gallery, London, GB |
| | „Matthew Higgs“, Anthony Wilkinson Gallery, London, GB |
| | „River Deep Mountain High“, Gallery Westland Place, London; The Cooper Gallery, Dundee, GB |
| 1998 | „About Vision: New British Painting in the 1990’s“, Laing Art Gallery, Newcastle, UK |
| | „Sunday“, Cabinet Gallery, London, GB |
| | „Peter Doig and Udomsak Krisanamis“, Arnolfini Gallery, Bristol, GB |
| | „UK - Maximum Diversity“, Galerie Krinzinger im Benger-Areal, Bregenz / Galerie Krinzinger im Semperdepot, Wien / Vienna, AT |
| 1997-98 | „New found landscape“, Kerlin Gallery, Dublin, IRL |
| 1997 | „Alpenblick“, Kunsthalle Wien, Wien / Vienna, AT |
| | „Malerei 4“, Galerie Monika Sprüth, Düsseldorf |
| | „Package Holiday, New British Art in the Ophiuchus Collection“, The Hydra Workshop, Hydra, GR |
| | „About Vision: New British Painting in the 1990’s“, Christchurch Mansion, Ipswich, GB |
| 1996 | „About Vision: New British Painting in the 1990’s“, Museum of Modern Art, Oxford, GB |
| | „Faustrecht der Freiheit“, Kunstsammlung Gera, Neues Museum Weserberg, Bremen |
| | Ghislaine Hussenot, Paris, FR |
| | „There’s a painting on the wall“, a collaboration with Matthew Higgs, Anthony Wilkinson Fine Art, London, GB |
| | „Answered Prayers“,with John Currin, Richard Patterson, Raymond Pettibon, Contemporary Fine Arts, Berlin |
| | „Belladonna“, ICA, London, GB |
| | „About Vision: New British Painting in the 1990’s“, The Fruitmarket Gallery, Edinburgh, GB |
| 1995 | „Zombie Golf“, Burbage House, London, GB |
| 1994 | „Here and Now“, Serpentine Gallery, London, GB |
| | „The Turner Prize Exhibition“, Tate Gallery, London, GB |
| | „Group Painting Exhibition“, Victoria Miro Gallery, London, GB |
| | „1st Prize Prix Eliette von Karajan“, Salzburg, AT; Paris, FR |
| | „Unbound: Possibilities in Painting“, cur. by Adrian Searle & Greg Hilty, Hayward Gallery, London, GB |
| | „New Voices“, British Council Touring Exhibition, Santa Monica, USA; Barcelona, ES |
| | Gavin Brown’s enterprise, New York, USA |
| | „Imprint ’93 “, cur. By Matthew Higgs, Cabinet Gallery, London, GB |
| 1993 | „Moving into View“, Royal Festival Hall, London, GB |
| | „Twelve Stars“, Barbican Centre, London, GB |
| | Project Unité Ferminy“, Ferminy Vert, Paris, FR |
| | „1st Prize Exhibition 18“, John Moore’s Prize, Liverpool, GB |
| 1992 | „Inside a Microcosm“, Laure Genillard Gallery, London, GB |
| | „New Voices“, Centre Albert Borschette, Brüssel / Brussels, BE |
| 1991 | „Barclay’s Young Artist Award“, Serpentine Gallery, London, GB |
| 1990 | „Into the Nineties“, Mall Galleries, London, GB |
| 1989 | „Raving Formalists”, Galerie Nomad, Montreal, CA |
| 1985 | „Things as They Are“, Riverside Studios, London, GB |
| 1983 | „New Contemporaries“, ICA, London, GB |
| 1982 | „New Contemporaries“, ICA, London, GB |
Sammlungen (Auswahl) / collections (selected)
| | The Museum of Modern Art (MoMA), New York, USA |
| | Tate Gallery, London, GB |
| | Saatchi Collection, London, GB |
| | Centre Pompidou, Paris, FR |
| | Philadelphia Museum of Art, Philadelphia, USA |
| | The Art Institute of Chicago, Chicago, USA |
| | Pinakothek der Moderne, München/ Munich |
| | Bonnefanten Museum, Maastricht, NL |
| | National Gallery of Canada, Ottawa, CA |
| | Carnegie Museum Pittsburg, Pittsburgh, USA |
| 2006 | Performance zu der Ausstellung / fort he exhibition „Peter Doig: Studiofilmclub 2003 - 2006“, Ballroom, Marfa, USA |
| 2008 | Wolfgang Hahn Preis, Köln / Cologne |
| 1994 | Prix Eliette von Karajan, Salzburg, AT |
| 1993 | John Moores Prize, Liverpool, GB |
| 1991 | Whitechapel Artist Award, London, GB |