ausgewählte Artikel / selected articles
| 2010 | Pietsch, Hans, „Abendmahl für eine Affenhorde”, Art Magazin, Februar 2010, S. 100. |
| | Searle, Adrian, „Into the shadows”, The Guardian, 26. Januar 2010, S. 19-21. |
| | Hudson, Mark, „Chris Ofili: ‘I wander deep into the forest – where it’s scary’”, The Telegraph, 25. Januar 2010. |
| | Jury, Louise, „Ofili show is not just the dung thing”, The Evening Standard, 25. Januar 2010. |
| | Little, Helen, „Shock and awe: The art of Chris Ofili“, The Independent, 22. Januar 2010. |
| | Adams, Tim, „Island records”, New Statesman, 22. Januar 2010. |
| | Luke, Ben, „Chris Ofili – the painter of paradise”, The Evening Standard, 21. Januar 2010. |
| | Younge, Gary, „After the elephant dung: Chris Ofili”, The Guardian, 16. Januar 2010. |
| 2009 | Shuster, Robert, „Harlem Fash: Collected: Propositions on the Permanent Collection”, The Village Voice, 29. July 2009, S. 26. |
| 2008 | Javier, Peres, daddy, Nr. 6, 2008, S. 194. |
| | Abbas, Remi, „Portrait of the Artist in Motion”, Spread Artculture, 3. April 2008, S. 14-15. |
| 2007 | Church, Amanda, „Chris Ofili: David Zwirner”, Flash Art International, November 2007, S. 109. |
| | Saltz, Jerry, „The Elephant in the Room”, New York, 22. Oktober 2007 S. 94-95. |
| | Rosenberg, Karen, „Chris Ofili: Devil’s Pie”, New York Sun, 19. Oktober 2007 S. 35. |
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| Holland, Cotter, „Chris Ofili – Devil’s Pie”, The New York Times, 19. Oktober 2007, S. E35. |
| | Kunitz, Daniel, „The Devil and Chris Ofili”, Village Voice, 17. Oktober 2007, S. 152. |
| | Cohen, David, „Chris Ofili”, The New York Sun, 11. Oktober 2007, S. 18. |
| | Collings, Matthew, „Als die Bilder saufen lernten“, Monopol, Oktober 2007, S. 40-50. |
| | Wainwright, Leon, „Peter Doig & Chris Ofili”, Interview, Bomb, September 2007, S. 32-41. |
| | Buhr, Elke, „Der Stoff, der die Welt hält“, Frankfurter Rundschau, 9. Juni 2007, S. 36-37. |
| | Searl, Adrian, „Go with the Flow”, The Guardian, 30. Januar 2007, S. 23-25. |
| 2006 | Bürklin, Heidi, „Chris Ofili und das dekorative Potenzial von Elefantendung“ Kunstzeitung, März 2006, S. 28. |
| | Koerner von Gustorf, Oliver, „Modernist Blues“, Interview, db-artmag.com, April 2006, S. 9. |
| | Quin, John, „Chris Ofili: The Blue Rider”, Contemporary, Mai 2006. |
| | Koerner von Gustorf, Oliver, „Hey, hey, hey, ich bin der Blaue Reiter", Welt am Sonntag, Hamburg, 25. Juni 2006, S. 58. |
| | „Blauer Reiter reloaded“, Der Spiegel, 26. Juni 2006, S. 127 |
| | Glanz, Alexandra, „Das Kreuz der Kulturen“, Hannoversche Allgemeine Zeitung, 23. Juni 2006. |
| | Queren, Henning, „Die blausilberne Kälte des Nordens – Der expressionistische Reiter als Remix“, Neue Presse, 23. Juni 2006. |
| | Schlüter, Ralf, „Die Sanfte Umschreibung der Geschichte“, Art, Juli 2006, S. 84. |
| | Herchenröder, Christian, „Skulptur auf dem Vormarsch", Handelsblatt, 29. September 2006, Kunstmarkt, S.1. |
| | Marden, Brice, „Painter’s Paintings“, Artforum, oktober 2006, S. 218-225; 286-288. |
| 2005 | Völzke, Daniel, „Der Blaue Reiter reitet blauer weiter, Gruß aus dem Garten Eden: Chris Ofili in der Galerie Contemporary Fine Arts”, Der Tagesspiegel, 17. Dezember 2005, S. 26. |
| | „Erdverbunden, „The Blue Rider” von Chris Ofili bei Contemporary Fine Arts”, TIP, 1. Dezember 2005, S. 76. |
| | Valdez, Sarah, “Chris Ofili at the Studio Museum Harlem”, Art in America, Dezember 2005, S. 147-148. |
| | Harding, Luke, „Bottoms up, Ofili ponders the nature of relationships“, The Guardian, 19. November 2005, S. 1; 10-11. |
| | Searle, Adrian, „Ofili: the blue period”, The Guardian, 22. November 2005, S. 18-19. |
| | Casely – Hayford, Augustus, „The Upper Room”, November 2005, S. 26-29. |
| | Dorment, Richard, „Like Nothing You’ ve Ever Seen Before”, The Daily Telegraph, 20. September 2005, S. 21. |
| | Vogel, Carol, „An Artist Reveals The Way He Thinks“, The New York Times(Beilage zur Süddeutschen Zeitung), 23. Mai 2005. |
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| Carley, John, „Can You Tell What It Is Yet?”, The Sunday Times, 22. Mai 2005, S. 6-7. |
| 2004 | De Salvo, Donna, „Chris Ofili“, Artforum, Oktober 2004, S. 58. |
| | Danto, Arthur C., „American Self-Consciousness in Politics and Art“, Artforum, September 2004, S. 208. |
| 2003 | Van der Zee, Bibi, „And the Nominations are…”, The Guardian, 1. November 2003. |
| | Eshun, Ekow, „Holy Shit”, The Fader Magazine, Juli 2003, S. 110-113. |
| | Lange, Christy, „The Chosen One”, Telegraph Magazine, 14. Juni 2003, S. 40-45. |
| | Dorment, Richard, „The Chosen One”, Telegraph Magazine, 14. Juni 2003, S. 40-45. |
| | Sharp, James, „Dung Icons”, Times Educational Supplement, 10. Januar 2003, S. 11. |
| 2002 | Miller, Alicia, „Chris Ofili - Victoria Miro", Flash Art, Oktober 2002, S. 105-106. |
| | Satz, Aura, „Chris Ofili“, Tema celeste, Oktober 2002, S. 88-89. |
| | Grant, Catherine, „Chris Ofili: Freedom One Day", Contemporary; September 2002, S. 86. |
| | Searl, Adrian, „Monkey Magic”, The Guardian, 25. Juni 2002, S. 10-11. |
| | Jones, Jonathan, „Paradise Reclaimed”, The Guardian Weekend, 15. Juni 2002, S. 1; 18-23. |
| 2000 | Smee, Sabatian, „No-one needs to say sorry“, The Sydney Morning Herald, 26. Mai 2000. |
| | Morley, Simon, „Chris Ofili Drawings“, The Independent, 23. Mai 2000. |
| | Shearing, Graham, „The Legacy“,Tribune Review, 19. März 2000. |
| | Leffingwell, E., „Carnegie Ramble“, Art in America, März 2000. |
| | Hay, David, „The Scene Heats Up Under the Miami Sun“, The New York Times, 27. Februar 2000. |
| | Carrier, David, „Review / Carnegie“, Burlington Magazine, Februar 2000. |
| | Macritchie, Lynn, „Ofili’s Glittering Icons“, Art in America, Januar 2000, S. 96-101. |
| | Miller, Paul D., „Deep Shit, An Interview with Chris Ofili“, Parkett 58, 2000, S. 164-176. |
| | Müller, Silke, „Maler und Mythenspieler“, art, Januar 2000, S. 10-21. |
| 1999 | McFadden, Robert, „Madonna Painting is Defaced in a Disputed |
| | Smith, Roberta, „Art in Review Chris Ofili“, The New York Times, 29. Oktober 1999. |
| | Barstow, David, „Art museum bolsters lawsuits againt Giuliani“, The New York Times, 2. Oktober 1999. |
| | Kifner, John, „Cultrati view controversial art exhibit in New York“, The New York Times, 1. Oktober 1999. |
| | Hensher, Philip, „Puritans, pornography and the shocking art of cencorship“, The Independant, 1. Oktober 1999. |
| | Kimmelman, Michael, „After All That Yelling Time To Think“, The New York Times, 1. Oktober 1999. |
| | Buck, Louisa, „Chris Ofili: Elephant dung in the Garden of Eden“, Scandinav Airways Magazine, Oktober 1999. |
| | Herszenhorn, David, „Brooklyn Museum accused of trying to lift art value“, The New York Times, 30. September 1999. |
| | Usborne, David, „Giuliani faces backlash over Brit Art exhibition“,The Independent, 30. September 1999. |
| | Kuntzman, Gersh & David Seifman, „Defient Museum: The show goes on“, New York Post, 29. September 1999. |
| | Barstow, David, „Brooklyn Museum sues to keep Mayor from freezing its funds“, The New York Times, 29. September 1999. |
| | Ellison, Michael, „Hillary backs BritArt show“, The Guardian, 28. September 1999. |
| | Ellison, Michael, „New York seeks to ban British Sensation“, The Guardian, 24. September 1999. |
| | „Abby Goodnough Giuliani threatens to evict museum over art exhibit“, The New York Times, 24. September 1999. |
| | „Dan Barry & Carol Vogel Giulini vows to cut subsidy over’sick’art”, New York Times, 23. September 1999. |
| | Fusco, Coco, „Captain Shit and Other Allegories of Black Stardom“, Nka Journal of Contemporary African Art, Frühling / Sommer 1999. |
| | „Chris Ofili,usual suspect“, The Guardian, 13. März 1999. |
| 1998 | Jenkins, Russell, „Artist shows his view of the Turner Prize“, The Times, 11. Dezember 1998. |
| | „No oil painting but elephant man takes the Turner“, The Sydney Evening Herald, 3. Dezember 1998. |
| | Majendie, Paul, „Dung art awared Turner“, The Toronto Globe, 2. Dezember 1998. |
| | Glaister, Dan, „Turner Prize goes to Ofili“, The Guardian, 2. Dezember 1998. |
| | Lubbock, Tom, „Turner Prize winner puts painting back in the frame“, The Independant, 2. Dezember 1998. |
| | Reynolds, Nigel, „Poetry in motions wins the Turner Prize“, The Daily Telegraph, 2. Dezember 1998. |
| | Thorncroft, Anthony, „The sweet smell of success“, Financial Times, 2. Dezember 1998. |
| | „Absolute Ofili“, The Times, 2. Dezember 1998. |
| | Alberge, Dalya, „Turner Prize proves the ordure of the day“, The Times, 2. Dezember 1998. |
| | Lister, David, „Elephant dung wins Turner Prize“, The Independent, 2. Dezember 1998. |
| | Janus, Elizabeth, „Review of Global Vision”, Artforum International, November 1998. |
| | Lubbock, Tom, „Every one’s a winner“, The Independant, 3. November 1998. |
| | Landesman, Cosmo, „A Turner down“, The Sunday Times Magazine, 1. November 1998. |
| | Tillmans, Wolfgang, „Afrodaze, Dazed and Confused“, November 1998. |
| | Searle, Adrian, „Who’ll win the Turner Prize? My bung is on the dung“, The Guardian, 28. Oktober 1998. |
| | Alberge, Dalya, „Great works of art or just a pile of dung?“, The Times, 28. Oktober 1998. |
| | Packer, William, „A man who has dung roaming“, The Financial Times, Oktober 1998. |
| | „Shit happens, Chris Ofili’s been there, dung that“, Time Out, 14. Oktober 1998. |
| | Cork, Richard, „The name to droppings“, The Times, 6. Oktober 1998. |
| | Coomer, Martin, „The boy dung good“, Time Out, 30. September – 7. Oktober 1998. |
| | Durrant, Sabine, „Who flung dung? The Monday Interview”, The Guardian, 21. September 1998, S. G2. |
| | Maloney, Martin, „Dung & Glitter“, Modern Painters, Herbst 1998. |
| | Higgie, Jennifer, „Chris Ofili, Southampton City Art Gallery“, frieze, September / Oktober 1998. |
| | Lister, David, „Dung, entails and sex vie for Turner“, The Independent, Juli 1998. |
| | Searle, Adrian, „At Last, a true perspective“, The Guardian, Juli 1998. |
| | Reynolds, Nigel, „Sex and Dung – it’s Turner time“ , The Daily Telegraph, Juli 1998. |
| | Alberge, Dalya, „Turner shortlist shows how modern art is Dung“, The Times, Juli 1998. |
| | Searle, Adrian, „Top Plop“, The Guardian, April 1998. |
| | Hilton, Tim, „Who’s the subject, you or me?“ Independent on Sunday, April 1998. |
| | Lillington, David, „Holy Shit! Chris Ofili“, Metropolis M, Februar 1998. |
| 1997 | Alexander, Keith, „Date with an artist“, BBC Television, November 1997. |
| | Collings, Mathew, „The new establishment“, Independent on Sunday, September 1997. |
| | Searle, Adrian „Feeling Frenzy“, The Guardian, September 1997. |
| | Norris, David, „Shockers of the Exhibition“, Daily Mail, September 1997. |
| | Kent, Sarah, „It’s a Sensation! But is it art? Everything you need to know about the London art scene, but were afraid to ask“, Time Out (Special supplement), September 1997. |
| | Buck, Louisa „Openings: Chris Ofili“, Artforum, September 1997, S. 112. |
| 1996 | Hilton, Tim, „The Best Painting in Britain“, The Independent on Sunday, 17. November 1996, S. 30. |
| | Buck, Louisa, „Works in Progress; Portraits of Five Britis Artists“, GQ Magazine, Dezember 1996, S. 87. |
| | Buck, Louisa „Fever Pitch, Letter from London“, Artforum, Oktober 1996, S. 35. |
| | „Tania Guha Chris Ofili/Victoria Miro“, Time Out, 12. Juni 1996, S. 44. |
| | „The rumour is…”, Interview, Dazed & Confused, Juni 1996, S. 26 – 27. |
| | Worsdale, Godfrey „Chris Ofili / Victoria Miro Gallery“, Art Monthly, Juli / August 1996, S. 27 – 28. |
| 1995 | „New Art Riot”, i-D Magazine, The Performance Issue, Dezember, S. 38. |
| | Smith, Roberta „Chris Ofili, Gavin Brown’s enterprise“, New York Times, 2. Dezember 1995. |
| | Searle, Adrian, „Going through the motions, in watch this face…in the visual arts“, The Independent, 27. Dezember 1995. S. Arts 11. |
| 1994 | House, Henrietta, „Take Five”, TimeOut, 30. November 1994. |
| | Morgan, Stuart, „The Elephant Man“, Frieze, März / April 1994, S. 40 - 43. |
ausgewählte Publikationen / selected publications
| 2010 | 40 Jahre Gegenwart. 40 Jahre Deutsche Bank Luxembourg. 40 Künstler aus der Sammlung Deutsche Bank, Deutsche Bank Luxembourg, Frankfurt/Luxembourg, 2010. |
| 2010 | Chris Ofili, Tate Publishing, London, 2010. |
| | Skin Fruit. Selections from the Dakis Joannou Collection. Curated by Jeff Koons, New Museum, New York, 2010. |
| 2009 | Chris Ofili, Rizzoli International Publications, New York, 2009. |
| 2008 | Chris Ofili: Devil’ s Pie, Steidl Verlag, New York, 2008. |
| | History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokio, 2008. |
| | Same As it Ever Was, Chelsea College of Art and Design, London, 2008. |
| 2007 | 13, International Project Space, Birmingham, 2007. |
| | True Romance, DuMont Buchverlag, Köln, 2007. |
| | Fractured Figure: Works from the Dakis Joannou Collection, The Deste Foundation for Contemporary Arts, Athen, 2007. |
| | Hunky Dory, Gary Tatintsian Gallery,Moskau, 2007. |
| | Traum and Trauma: Works from the Dakis Joannou Collection, Kunsthalle, Wien, 2007. |
| | The Art of Collecting, Museum Kunst Palast, Düsseldorf, 2007. |
| | Draw: Conversations Around the Legacy of Drawing, Middlesborough Institute of Modern Art, Middlesborough, 2007. |
| 2006 | Translation. A visual trip operated and articulated by Dakis Joannou, Palais de Tokyo, Paris, 2006. |
| | Andrea Bruciati und Alessandra Galasso, Painting Codes / Codici Della Pittura, GC.AC. Galleria Communale d'Arte, Monfalcone, 2006. |
| | Visual Shock: A History of Art Controversies in American Culture, Knopf, New York, 2006. |
| | Surprise, Surprise, ICA Insitute of Contemporary Arts, London, 2006. |
| | The Blue Rider Extended Remix, Kestnergesellschaft, Hannover, 2006. |
| | The Upper Room, Tate Publishing, London, 2006. |
| | How To Improve The World: 60 Years of British Art, Hayward Gallery Publishing, 2006. |
| | Painting People, Figure Painting Today, Distributed Art Publishers, New York, 2006. |
| | Painting Codes, Galleria Comungale d’Arte Contemporanea Monfalcone, Monfalcone, 2006. |
| | Infinite Painting, Villa Manin Centro d’Arte Contemporanea, Passariano, 2006. |
| | Prints Now: Directions and Definitions, Victoria and Albert Museum, London, 2006. |
| | Tokyo Blossoms: Deutsche Bank Collection meets Zaha Hadid, Deutsche Bank, Frankfurt, 2006. |
| 2005 | The Blue Rider, Contemporary Fine Arts, Berlin, 2005. |
| | Donna Donne, Giunti, Florenz, 2005. |
| | Afro Muses 1995 - 2005, The Studio Museum in Harlem, New York 2005. |
| | Huts, The Douglas Hyde Gallery, Dublin, 2005. |
| | Bits and Pieces Put together to Present a Semblance of a Whole, Walker Art Centre, Minneapolis, 2005. |
| | Drawing from the Modern: 1975 – 2005, Museum of Modern Art, new York, 2005. |
| | Getting Emotional, ICA, Boston,2005. |
| | Translation, Palais de Tokyo, Paris, 2005. |
| | Contemporary Erotic Drawing, Aldrich Museum of Contemporary Art, 2005. |
| 2004 | Artists and Prints: Masterworks from the Museum of Modern Art, Museum of Modern Art, New York, 2004. |
| | Gifted, The Arts Gallery, university of the Arts and Arts Council, London 2004. |
| | Faces in the Crowd Volti nella Folla, Skira Editore, Mailand, 2004. |
| | Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athen, 2004. |
| | Fabulism, Joslyn Art Museum, Omaha, 2004. |
| 2003 | Supernova: Art of the 1990’s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, 2003. |
| | Within Reach, published on the occasion of the exhibition at the British Pavilion, 50th Venice Biennale, Victoria Miro Gallery, London, 2003. |
| | Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokio, 2003. |
| 2002 | The Upper Room, Victoria Miro Gallery, London, 2002. |
| | Freedom One Day, Victoria Miro Gallery, London, 2002. |
| | Remix: Contemporary Art and Pop, Tate Publishing, London, 2002. |
| | High Art Lite by Julian Stallabrass, Verso, London & New York, 2002. |
| | To Be Looked At: Painting and Sculpture from the Museum of Modern Art, Museum of Modern Art, New York, 2002. |
| | The ‘Third Text’ Reader on Art, Culture and Theory, Continuum, London and New York, 2002. |
| | Vitamin P, Phaidon, London, 2002. |
| | Exotic No More: Anthropology on the Front Lines, University of Chicago Press, Chicago, 2002. |
| | Rapture: Art’s Seduction by Fashion, Thames and Hudson, London, 2002. |
| | Drawing Now: Eight Propositions, Museum of Modern Art, New York, 2002. |
| | Cavepainting, Santa Monica Museum of Art, Santa Monica, 2002. |
| 2001 | Form Follows Fiction, Edizioni Charta, Mailand, 2001. |
| | Painting at the Edge of the World, Walker Art Center, Minneapolis, 2001. |
| | Public Offering, Thames and Hudson, London, 2001. |
| | One Planet under a Groove: Hip Hop and Contemporary Art, The Bronx Museum of the Arts, 2001. |
| | The Mystery of Painting: Goetz Collection, Sammlung Goezt, München, 2001. |
| | Contemporary Art in Print, Booth-Clibborn Editions, London, 2001. |
| 2000 | Ant Noises, The Saatchi Gallery, London, 2000. |
| | The Beauty of Intimacy, Geementemuseum, Den Haag, 2000. |
| | Biennale of Sydney 2000, MCA Sydney, Sydney, 2000. |