| 1962 | geboren in London / born in London, GB |
| 1982-83 | Working Men's College, London, GB |
| 1983-84 | London College of Printmaking |
| 1984-87 | Goldsmith' s College, London, GB |
ausgewählte Einzelausstellungen / selected solo exhibitions
| 2009 | “Nuds”, Sadie Coles HQ Off-site, London, GB |
| 2008 | “Penetralia”, Sadie Coles HQ, London, GB |
| 2007 | „Perceval”, Doris C Freedman Plaza, Central Park, New York, USA |
| | „Perceval”, Waddesdon Manor, Buckinghamshire, GB |
| 2006 | „Sarah Lucas“, Frans Hals Museum, Haarlem, NL |
| | „Sarah Lucas“, Tate Liverpool, Liverpool, GB |
| 2005 | „GOD IS DAD“, Barbara Gladstone Gallery, New York, USA |
| | „Sarah Lucas“, Kunsthalle Zürich, Zürich; Kunstverein Hamburg, Hamburg; Tate Liverpool, Liverpool, GB |
| 2004 | „In-A-Gadda-Da-Vidda“ (mit / with Angus Fairhurst and Damien Hirst), Tate Britain, London, GB |
| 2003 | „Temple of Bacchus“ (mit / with Colin Lowe und Roddy Thomson), Milton Keynes Gallery, Milton Keynes, GB |
| 2002 | „Charlie George“, Contemporary Fine Arts, Berlin |
| | „Sarah Lucas“, Raum Installation / Room Installation, Tate Modern, London, GB |
| 2001 | „CAKE“, Counter Editions, London, GB |
| 2000 | „The Fag Show“, Sadie Coles HQ, London, GB |
| | „Sarah Lucas - Beyond the Pleasure Principle“, The Freud Museum, London, GB |
| | „Sarah Lucas: Self Portraits and More Sex“, Tecla Sala, Barcelona, SP |
| | „Sarah Lucas“, Tomio Koyama Gallery, Tokio / Tokyo, JP |
| 1999 | „Beautiness“, Contemporary Fine Arts, Berlin |
| 1998 | „Odd-bod Photography“ (mit / with Angus Fairhurst), Kölnischer Kunstverein, Köln / Cologne; Sadie Coles HQ, London, GB |
| | „The Old In Out“, Barbara Gladstone Gallery, New York, GB |
| 1997 | „The Law“, (organisiert von / organised by Sadie Coles), St Johns Lofts, London, GB |
| | „Bunny Gets Snookered“, Sadie Coles HQ, London, GB |
| | „Car Park“, Museum Ludwig, Köln / Cologne |
| 1996 | „Sarah Lucas“, Museum Boymans-van Beuningen, Rotterdam, NL |
| | „Sarah Lucas“, Portikus, Frankfurt |
| | „Is Suicide Genetic?“, Contemporary Fine Arts, Berlin |
| 1995 | „Supersensible“, Barbara Gladstone Gallery, New York, USA |
| 1994 | „Got a Salmon On (Prawn) “, Anthony d'Offay Gallery, London, GB |
| | „Where's My Moss“, White Cube, London, GB |
| 1993 | „The Shop“ (mit / with Tracey Emin), 103 Bethnal Green Road, London, GB |
| | „From Army to Armani“ (mit / with Tracey Emin), Galerie Analix, Genf / Geneva, CH |
| 1992 | „Penis Nailed to a Board“, City Racing, London, GB |
| | „The Whole Joke“, Kingly Street, London, GB |
| 2008 | „The Hamsterwheel“, Malmö Konsthall, Malmö, SE |
| | „Devastation and Depreciation”, Gavin Brown Enterprise, New York, USA |
| | „Thyssen-Bornemisza Art Contemporary. Collection as Aleph”, Kunsthaus, Graz, AT |
| | „Female Trouble”, Pinakothek der Moderne, München / Munich |
| | „Films“, Sadie Coles HQ, London, GB |
| | „GOD & GOODS: Spirituality and Mass Confusion“, Villa Manin Centre for Contemporary Art, Codroipo, IT |
| 2007 | „Soufflé, eine Massenausstellung”, Kunstraum Innsbruck, Innsbruck, AT |
| | „The Third Mind”, Palais de Tokyo, Paris, FR |
| | „The Naked Portrait, 1900-2007“, Scottish National Portrait Gallery, Edinburgh, GB |
| | „Hamster Wheel“, Venice Biennale, Venedig / Venice; Printemps de Septembre, Toulouse, FR, France and Centre d’Art Santa Monica, Barcelona, SP |
| | „Held Together With Water : Art from the Sammlung Verbund“, MAK, Wien / Vienna, AT |
| | „Aftershock: Contemporary British Art 1990-2006“, Guangdong Museum of Art, Peking / Beijing, CN |
| | „Back to Hackney“, Hackney Arts Club, London, GB |
| | „Global Feminisms“, Brooklyn Museum, New York; Davis Museum and Cultural Center, Wellesley, USA |
| 2006 | „In the Darkest Hour there May be Light: Works from Damien Hirst’s Murderme Collection“, Serpentine Gallery, London, GB |
| | „This is Not For You : Sculptural Discourses“, Thyssen-Bornemisza Art Contemporary, Wien / Vienna, AT |
| | „All Hawaii Entrées / Lunar Reggae“, Irish Museum of Modern Art, Dublin, IRL |
| | „The Wonderful Fund: Art for the New Millenium 2000 – 2005“, Pallant House Gallery, Chichester, GB |
| | „DEFAMATION OF CHARACTER”, P.S.1 MoMA, Long Island, USA |
| | „Eye on Europe”, Museum of Modern Art, New York, USA |
| | „How to Improve the World“, Hayward Gallery, London, GB |
| | „Printemps de Septembre 2006“, Printemps de Septembre, Toulouse, FR |
| | „Glasgow International 2006“, Glasgow International, Glasgow, GB |
| | „Prints“, Sadie Coles HQ, London, GB |
| | „Body Soul Face: The Position of Women from the 16th-21st Century“, Leopold Museum, Wien / Vienna, At |
| | „Art Car Boot Fair“, The Old Truman Brewery, London, GB |
| | „Il diavolo del focolare: The Devil of Hearth and Home“, La Triennale di Milano, Mailand / Milan, IT |
| | „Dada’s Boys, The Fruitmarket Gallery“, Edinburgh, Scotland ; GB |
| | „Contemporary British Art for China“, China Art Gallery, Peking / Beijing; Guangdong Museum of Art, Guangzhou, CN; Shanghai Art Musuem, Shanghai; The Three Gorges Museum, Chongqing, CN |
| 2005 | „Empreinte Moi“, Galerie Emmanuel Perrotin, Paris, FR |
| | „BritPrint”,National Gallery of Victoria, Melbourne |
| | „The Prop makers”, MOT, London, GB |
| | „The Wonderful Fund Collection”, Arts in Marrakech Festival, Marrakech, MA |
| | „GOD IS BORED OF US II”, FMCG, London, GB |
| | „Rundlederwelten“, Martin Gropius Bau, Berlin |
| | „Lichtkunst aus Kunstlicht“, ZKM, Karlsruhe |
| | „Rundlederwelten“, Martin Gropius Bau, Berlin |
| | „Drunk vs. Stoned 2“, Gavin Brown, New York, USA |
| | „A view of women“, De Hallen, Haarlem, NL |
| | „Bidibidobidiboo“, Fondazione Sandretto Re Rebaudengo, Turin, IT |
| | „Y[oung] B[ritish] A[rtists] Criss-Crossed“, Galleri Kaare Bernsten, Oslo, FL |
| | „FRAGILE“, Analix Forever, Genf / Geneva, CH |
| | „Skulptur. Prekärer Realismus“, Kunsthalle Wien, Wien / Vienna, AT |
| | „Julia Bornefeld Jimmie Durham Michael Kienzer Martin Kippenberger Sarah Lucas Franz West Erwin Wurm Sculpture“, Galerie Elisabeth & Klaus Thoman, Innsbruck, AT |
| | „Atomkrieg“, Kunsthaus, Dresden |
| | „Just love me“, Fries Museum, Leeuwarden, NL |
| | „Curry Expo”, Contemporary Fine Arts, Berlin |
| | „Body: New Art from the UK”, Vancouver Art Gallery, Vancouver; Ottawa Art Gallery, Ottawa, CA; Oakville Art Galleries, Oakville, CA; Edmonton Art Gallery, Edmonton, CA; Art Gallery of Nova Scotia, Nova Scotia,CA |
| | „Critics Choice”, FACT, Liverpool, GB |
| 2004 | „In-A-Gadda-Da-Vidda“ (mit / with Angus Fairhurst and Damien Hirst), Tate Britain, London, GB |
| | „Part I – LAT – Living: De Leegte (the Emptiness)”, Odapark, Venray, NL |
| | „Gifted“, The Arts Gallery, University of the Arts London, London, GB |
| | „Drunk vs. Stoned“, General Store in association with Gavin Brown’s enterprise, New York, USA |
| | „Werke aus der Sammlung Boros“, ZKM, Karlsruhe |
| | „Esprit/Spirit“, Galerie Nathalie Obadia, Paris, FR |
| | „Atomkrieg“, Kunsthaus Dresden, Dresden |
| | „Man“, Rubble, London, GB |
| | „57th Aldeburgh Festival, Contemporary British Sculpture at Snape (Angus Fairhurst, Damien Hirst, Sarah Lucas)“, Snape, Snape, GB |
| | „Sculpture: Precarious Realism between Melancholie and the Comic“, Kunsthalle Wien, Wien / Vienna, AT |
| | „Central Station, collection Harald Falckenberg”, La Maison Rouge – Foundation Antoine de Galbert, Paris; Museum für Neue Kunst, Karlsruhe |
| | „FROM ABOVE“, Georg Kargl, Wien / Vienna, AT |
| 2003 | „Just Love Me. Post-Feminist Art of the 1990's from the Goetz Collection“, Bergen Art Museum, Bergen, NO; Fries Museum, Leeuwarden, NL |
| | „Narcissus: new visions of self representation“, Crac Alsace, Altkirch, FR |
| | „Viereeuwen roken in de kunst: Tabak en taboe – van Jan Steen tot Pablo Picasso“, Kunsthal Rotterdam, Rotterdam, NL |
| | „Fourth Plinth Project“, National Gallery, London, GB |
| | „Cruel Fat“, MOT, London, GB |
| | „The Dead Bird Show“, Whitechapel Project Space, London, GB |
| | „Franz West and Friends“, Austrian Cultural Institute, London, GB |
| | „Plunder“, Dundee Contemporary Art, Dundee, UK |
| | „Breathing the Water“, Galerie Hauser & Wirth & Presenhuber, Zürich/ Zurich, Ch |
| | „50th International Venice Biennale“, Venice Biennale, Venedig / Venice, IT |
| | „Outlook“, Contemporary Art in Athens, Athen / Athens, GR |
| | „Bad Behaviour from the Arts Council Collection“, Longside Gallery, Yorkshire Sculpture Park, Wakefield, UK; Aberystwyth Arts Centre, Aberrystwyth, UK; Glynn Vivian Art Gallery, Swansea, UK; The Hatton Gallery, University of Newcastle, Newcastle, UK; Tullie House, Carlisle, UK |
| | „Flesh for Fantasy“, Officina Giovani/Palazzo delle Papesse, Siena, IT |
| | „A Bigger Splash: Uma Seleção de Arte Britânica da Coleção da Tate 1960-2003 / A Bigger Splash: A Selection of British Art from Tate Collection 1960-2003“, Pavilhão Lucas Nogueria Garcez – Oca Parque Ibirapuera, São Paulo and Instituto Tomie Ohtake, São Paulo, BR |
| | „BIDA 2003 – Bienal Internacional del Deporte en el Arte“, Salamanca, ES |
| | „Contemporary British Art Exhibition“, Mucsarnok Kunsthalle, Budapest, HU |
| 2002 | „Face Off: Portrait of the Artist“, Kettle’s Yard, Cambridge; Towner Art Gallery, Eastbourne, GB |
| | „Location: UK“, Gimpel Fils, London, GB |
| | „COPY“, Roth Horowitz Gallery, New York, USA |
| | „Art Crazy Nation Show“, Milton Keynes Gallery, Milton Keynes, GB |
| | „Comer o no Comer“, Consortio Salamanca, Salamanca, ES |
| | „Campy Vampy Tacky“, La Criée Centre d’Art Contemporain, Rennes, FR |
| | „Second Skin“, Henry Moore Institute, Leeds, GB |
| | „Common Days: Contemporary British Photography“, American Federation Of Arts, New York, USA |
| | „The Rowan Collection – Contemporary British and Irish Art“, Irish Museum of Modern Art, Dublin, IRL |
| | „New – Recent Acquisitions of Contemporary British Art“, Scottish National Gallery of Modern Art, Edinburgh, GB |
| | „PoT: The Liverpool Biennial of Contemporary Art“, Liverpool, UK; Galeria Fortes Vilaca, São Paulo, BR |
| | „Archivio Pons Artxiboa“, Koldo Mitxelena Kulturunea, Donostia – San Sebastían, ES |
| | „Rapture: Art’s Seduction by Fashion since 1970“, Barbican Centre Art Galleries, London, GB |
| 2001 | „Neon“, Eröffnungsausstellung / inaugural exhibition, Neon Gallery, London, GB |
| | „The Colony Room Club - 2001 A Space Oddity“, A22 Projects, London, GB |
| | „Close Encounters of the Art Kind“, Victoria and Albert Museum, London, GB |
| | „The Surreal Woman: Femaleness and the Uncanny in Surrealism“, Kunsthalle Bielefeld, Bielefeld |
| | „No World Without You“, Herzliya Museum of Art, Tel Aviv, IL |
| | „Summer Exhibition“, Royal Academy of Arts, London, GB |
| | „Field Day – Sculpture from Britain“, Taipei Fine Arts Museum, Taipei, CN |
| | „Ohne Zögern – Without Hesitation: views of the Olbricht Collection“, Neues Museum Weserburg, Bremen |
| | „Freestyle: Werke aus der Sammlung Boros“, Museum Morsbroich, Leverkusen |
| | „Breaking the Mould: 20th British Sculpture from the Tate“, Norwich Castle Museum and Art Gallery, Norwich, GB |
| | „Public Offerings“, Museum of Contemporary Art, Los Angeles, USA |
| | „Century City: Art and Culture in the Modern Metropolis“, Tate Modern, London, GB |
| | „City Racing 1988-1998: a partial account“, ICA, London, GB |
| | „Uniform: Order and Disorder“, Stazione Leopolda, Florenz / Florence, IT |
| | „Chairs“, Castello di Udine, Udine, IT |
| 2000 | „Quotidiana: the continuity of the everyday“, Castello di Rivoli, Turin, IT |
| | „Zona F“, Espai d'Art Contemporain de Castelló, Castelló, IT |
| | „DRIVE power, progress, desire”, Govett-Brewster Art Gallery, New Plymouth, NZ |
| | „Psycho“, Anne Faggianto Fine Art, London, GB |
| | „Human Being and Gender“: 2000 Kwangju Biennale, Kwangju, KR |
| | „Sex and the British“, Galerie Thaddeus Ropac, Salzburg; Galerie Thaddeus Ropac, Paris, FR |
| | „The British Art Show 5“, Hayward Touring Exhibitions, Scottish National Gallery of Modern Art und Royal Botanic Garden, Edinburgh, GB; Southampton Art Gallery, John Hansard Gallery, Millais Gallery, National Museum of Wales, Centre for Visual Arts and Chapter Arts, Cardiff, GB; Birmingham Museum and Art Gallery und Ikon Gallery, Birmingham, GB |
| | „About Collage”, Tate Liverpool, Liverpool, GB |
| | „Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing“, The Living Art Museum, Reykjavik, IS |
| | „Hoxton HQ“, Sadie Coles HQ at Hoxton House, London, GB |
| | „Intelligence: New British Art 2000“, Tate Britain, London, GB |
| | „Body Beautiful“, Galerie Jennifer Flay, Paris, FR |
| | „Death Race 2000“, Thread Waxing Space, New York, USA |
| | „Hypermental“, Zürich Kunsthaus, Zürich/ Zurich, CH |
| | „The Oldest Possible Memory“, Sammlung Hauser und Wirth, St. Gallen, CH |
| 1999 | „Gallery Swap“, Sadie Coles HQ at Contemporary Fine Arts, Berlin |
| | „This is Modern Art“, Drei Plakatwände wurden im Auftrag von Channel 4 für eine Fernsehserie in unterschiedlichen Lokations in London aufgestellt / Three billboards commissioned by Channel 4 for the television series where put up at different sites across London, Sarah Lucas; Gavin Turk and Martin Creed, London |
| | „Art Lovers“, Liverpool Biennial, Liverpool, GB |
| | „Me Myself I, Contemporary Self Images”, Haags Historisch Museum, Den Haag / The Hague, NL |
| | „The Anagrammatical Body“, Neue Galerie am Landesmuseum Joanneum, Graz, AT; ZKM Centre for Media Art and Technology, Karlsruhe |
| 1998 | „Artists from the UK, part two“, Sammlung Goetz, München / Munich |
| | „Die Rache der Veronika: Fotosammlung Lambert“, Deichtorhallen, Hamburg |
| | „Real Life: New British Art“, Tochigi Prefectural Museum of Fine Arts, Tochigi, JP; Fukuoka City Art Museum, Fukuoka, JP, Hiroshima City Museum of Contemporary Art, Hiroshima, JP; Tokyo Museum of Contemporary Art, Tokio / Tokyo, JP; Ashiya City Museum of Art and History, Ashiya, JP |
| | „Photography As Concept – 4. Internationale Foto-Triennale Esslingen“, Galerien der Stadt Esslingen Villa Merkel, Esslingen |
| | „Hungry Ghosts“, Douglas Hyde Gallery, Dublin, IRL |
| | „New Art From Britain“, Innsbruck Kunstraum, Innsbruck, AT |
| | „Maximum Diversity“, Galerie Krinzinger in den Benger Fabrik, Bregenz, AT; Akademie der Bildenden Künste, Wien / Vienna, AT |
| | „Contemporary British Art“, National Museum of Contemporary Art, Seoul, KR |
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