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1957
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geboren in Tucson, USA / born in Tucson, USA
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1977
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BA UCLA, Los Angeles, USA |
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lebt und arbeitet in Hermosa Beach, USA / lives and works in Hermosa Beach, USA |
ausgewählte Einzelausstellungen / selected solo exhibitions
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2009
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„Raymond Pettibon”, Sadie Coles HQ, London, GB |
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„Crop.“, URA!, Istanbul, TR
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2008
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„Raymond Pettibon – Part I and Part II“, Regen Projects, Los Angeles, USA |
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„Punk Epocha. 70 Drawings from the Eighties”, Blondeau Fine Arts Services, Genf / Geneva, CH
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„no title“, Contemporary Fine Arts, Berlin |
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„Under Pain of Death”, Austrian Cultural Forum, New York, USA |
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“Pivot Points II: New Mythologies”, Museum of Contemporary Art at Goldman Warehouse, Miami, USA |
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2007
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„Here’s your irony back“, David Zwirner, New York, USA |
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„V-Boom“, Kestnergesellschaft, Hannover |
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Sadie Coles HQ, London, GB
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2006
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„Whatever you are looking for you won’t find it here“ Kunsthalle Wien, Wien / Vienna, AT
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Centro de Arte Contemporáneo de Málaga, Málaga, ES
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Regen Projects, Los Angeles, USA |
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2005
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Whitney Museum of American Art, New York, USA |
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Museum of Contemporary Art San Diego, La Jolla, USA |
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„New York” Contemporary Fine Arts, Berlin |
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2004
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„New York“, David Zwirner, New York, USA |
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„Winged Heart und andere Drucke“, Graphische Sammlung der ETH Zürich, Zürich / Zurich, CH |
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„Selected works from 1982 to 2003 & Speaks Volumes, 1995“, Blondeau Fine Art Services, Genf / Geneva, Ch |
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2003
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Regen Projects, Los Angeles, USA
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Sadie Coles HQ, London, GB
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Galerie Mayer Kainer, Wien / Vienna, AT |
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„Drawings 1979 – 2003“, Museion, Bozen, IT; Galleria d’Arte Moderna, Bologna, IT |
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„The American Short Stories: Saul Steinberg / Raymond Pettibon“, Museum of Contemporary Art, North Miami, USA |
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David Zwirner Gallery, New York, USA
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„Early work“, Zwirner & Wirth, New York, USA |
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2002
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Contemporary Fine Arts, Berlin |
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„plots laid thick“, MACBA, Barcelona, SP; Tokyo Opera City Art Gallery, Tokio / Tokyo, JP; Musée Departmental d’Art Contemporain, Rochechouart, FR; Haags Gemeentemuseum, Den Haag, NL |
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„Série de dessins, 1985“, Collège Youri Gagarine, Montigny-en-Gohelle, FR |
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2001
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„The Wolfgang Hahn Prize Exhibition“, Gesellschaft für Modern Kunst am Museum Ludwig Köln, Köln / Cologne |
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„The Magic Hour. The Convergence of Art and Las Vegas“, Neue Galerie, AT |
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„Plots on Loan I’“, Galerie Rodolphe Janssen, Brüssel, BE |
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The Whitechapel, London, GB
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„Wall Drawing“, MAK Center, Wien / Vienna, AT
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2000
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Regen Projects, Los Angeles, USA
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Hauser & Wirth, Zürich / Zurich, CH |
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David Zwirner Gallery, New York, USA |
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Sadie Coles HQ, London, GB
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„The Books“, Frankfurt; Contemporary Fine Arts, Berlin; und 2001: MAK, Wien / Vienna, AT; David Zwirner Gallery, New York, USA; Santa Monica Museum of Art, Santa Monica, USA |
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1999
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Galerie Meyer Kainer, Wien / Vienna, AT
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1998
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The Renaissance Society, Chicago, USA; The Drawing Center, New York, USA; Philadelphia Museum of Art, Philadelphia, USA; Museum of Contemporary Art, Los Angeles, USA |
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Regen Projects, Los Angeles, USA
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Contemporary Fine Arts, Berlin
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Galleria d’Arte Ristori, Albenga, IT
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„Recent Work“, 11 Duke Street Limited, London, GB
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1997
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David Zwirner, New York, USA
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„Wandzeichnungen“ (mit Michael Craig-Martin), Kunstverein für die Rheinlande und Westfalen, Düsseldorf |
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Haus Schneider, Karlsruhe
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Galeria 1991, Lissabon / Lisbon, PT |
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1996
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Taka Ishii Gallery, Tokio / Tokyo, JP
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Tramway, Glasgow, GB
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1995
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Regen Projects, Los Angeles, USA
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Kunsthalle Bern, Bern, CH
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14/16 Verneuil, Paris, FR
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Contemporary Fine Arts, Berlin
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Galeria Massimo De Carlo, Mailand / Milan, IT
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David Zwirner Gallery, New York, USA |
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Ynglingagatan, Stockholm, SE |
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1994
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Galeria Ramis Barquet, Garza, MX; Arena Arte Contemporaneo, Guadalajara, MX |
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Galerie Metropol, Wien / Vienna, AT |
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Galerie Beaumont, Luxemburg, LUX |
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1993
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Jack Hanley Gallery, San Francisco, USA
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Regen Projects, Los Angeles, USA
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Feature Gallery, New York, USA |
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University Galleries, Illinois State University, Normal, USA |
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Matrix Gallery, University Art Museum, UC Berkeley, Berkeley, USA
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„On the Scent“, Galerie Metropol, Wien / Vienna, AT
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Galerie Marc Jancou, Zürich / Zurich, CH
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Esther Schipper Galerie, Köln / Cologne |
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1992
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Air de Paris, Nizza / Nice, FR
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„On the scent”, Galerie Metropol, Wien / Vienna, AT |
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1991
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Feature Gallery, New York, USA |
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Richard / Bennet Gallery, Los Angeles, USA
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N.A.M.E. Gallery, Chicago, USA
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Massimo de Carlo Arte Contemporanea, Mailand / Milan, IT |
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Galerie Rudiger Schottle, München / Munich |
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„Reader Dearest“, Robert Berman Gallery, Los Angeles, USA
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1990
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„Readings“, Feature Gallery, New York, USA |
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„A Long Parenthesis“, Richard / Bennett Gallery, Los Angeles, USA |
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1989
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Feature Gallery, New York, USA |
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1986
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Semaphore Gallery, New York, USA |
ausgewählte Gruppenaustellungen / selected group exhibitions
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2010
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„Neugierig? Kunst des 21. Jahrhunderts aus privaten Sammlungen“, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn |
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„The Making of Art”, Schirn Kunsthalle Frankfurt, Frankfurt
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2008
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„Freeway Balconies”, Deutsche Guggenheim, Berlin
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„Sympathy for the Devil”, Museum of Contemporary Art, North Miami, USA |
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„KRAZY! The Delirious World of Anime + Comics + Video Games + Art“, Vancouver Art Gallery, Vancouver, CA |
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„Kavalierstart 1978 – 1982“, Museum Morsbroich, Leverkusen |
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„Pivot Points: Part 2“, Museum of Contemporary Art at Goldman, Miami, USA |
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„Lots of Things Like This“, apexart, New York, USA |
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„Something Old, Something New, Something Borrowed, Something Blue”, Primo Marella Gallery, Mailand / Milan, IT
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„Collecting Collections“, Museum of Contemporary Art, Los Angeles, USA |
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„Under Pain of Death“, Austrian Cultural Forum,New York, USA |
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„Animations / Fictions”, NATIONAL MUSEUM OF CONTEMPORARY ART BUCHAREST, Bukarest / Bucharest, RO |
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2007
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„Sympathy for the Devil: Art and Rock and Roll Since 1967”, Museum of Contemporary Art, Chicago, USA; Museum of Contemorary Art, North Miami, USA; Musee d’art Contemporain de Montreal, Quebec, CA |
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„For Sale”, Cristina Guerra Contemporary, Lissabon / Lisbon, PT |
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„Mad Love: Young Art from Danish Private Collections”, ARKEN Museum for Moderne Kunst, Ishøj, NZ
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„The Heart”, Wellcome Trust, London, GB |
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„L.A. Desire (Part 2), dedicated to the memory of Brent Petersen (1972-2007)“, Galerie Dennis Kimmerich, Düsseldorf |
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„75 Years of Collecting: British Masters, Group of Seven and Pop Icons,” Vancouver Art Gallery, Vancouver, CA
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„If Everybody Had an Ocean: Brian Wilson, an Art Exhibition”, Tate St. Ives, Cornwall, GB; CAPC musée d’art contemporain, FR
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„Made in Germany“, Kestnergesellschaft, Hannover
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„True Love Always“, Angeles Gallery, Los Angeles, USA |
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„Cult Fiction“, The New Art Gallery, Walsall; Nottingham Castle, GB; Leeds City Art Gallery, Leeds, GB; Aberystwith Art Gallery, Aberystwith, GB |
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„Panic Attack! Art in the Punk Years”, Barbican Art Gallery, London, GB |
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„There is never a stop and never a finish: In Memoriam of Jason Rhoades”, Hamburger Bahnhof-Museum für Gegenwart, Berlin |
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„Other Scenes”, Roberts & Tilton, Los Angeles, USA |
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„In Flux: New Acquisitions”, Ikon Ltd. Gallery, Santa Monica, USA |
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„The Holy Bible and THE END: Ed Ruscha / Raymond Pettibon”, Worcester Art Museum, Worcester, GB |
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„Imagination Becomes Reality: Conclusion”, ZKM, Karlsruhe
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„Half Square, Half Crazy”, Villa Arson, Nizza / Nice, FR
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„Kinky Sex (Makes the World Go ‘Round)”, Lizabeth Oliveria, Los Angeles, USA
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„America Today: 300 Years of Art in America”, National Art Museum of China, Beijing, CHN |
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„Think with Senses-Feel with the Mind”, 52nd International Art Exhibition, Venice Biennale, Venedig / Vienna, AT
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„Fast Forward: Collections for the Dallas Museum of Art”, The Dallas Museum of Art, Dallas, USA |
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„Dibujos Animados”, The Fundación ICO, Madrid, SP |
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„Hammer Contemporary Collection Part II”, UCLA Armand Hammer Museum, Los Angeles, USA |
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2006
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„Beautiful People“, Fires Museum, Leeuwarden, NL |
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„Anos 80: Uma Topologia / The 80s: A Topology”, Museu Serralves, Porto, PT |
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„There is never a stop and never a finish“, Hamburger Bahnhof, Berlin |
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„Panic Attack! - Art in the Punk Years“, Barbican Art Gallery, London, GB |
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„Once upon a Time in the West - Part One”, Contemporary Fine Art, Berlin
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„Red ye – L.A. Artists from the Rubell Family Collection“, Rubell Family Collection, Miami, USA |
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„Into Me / Out of Me”, Kunst-Werke Berlin – Institute for Contemporary Art, Berlin |
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„Blind Date Passau“, Museum Moderner Kunst Stiftung Wörlen, Passau |
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„Surprise Surprise“, Institute of Contemporary Arts, London, GB |
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„Distor”, Museo de Arte Carillo Gil, Mexico City, MX |
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„Drawn into the World: Drawings from the MCA Collection”, Museum of Contemporary Art, Chicago, USA |
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„Mental Image”, Kunstverein St. Gallen Kunstmuseum, St. Gallen, CH
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„Prophets of Deceit“, CCA Wattis, San Francisco, USA
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„Kunst aus Los Angeles I“, Kunstverein Braunschweig, Braunschweig |
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„Los Angeles 1955-1985,” Centres Pompidou, Paris, FR |
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„Thank You For The Music”, Sprüth Magers Lee, London, GB
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„75 Years of Collecting: British Masters, Group of Seven and Pop Icons,” Vancouver Art Gallery, Vancouver, CA
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„Ed Ruscha / Raymond Pettibon: The ‘Holy Bible’ and ‘The End’,” Pomona College Museum of Art, Claremont, USA; University of New Mexico, Albuquerque, USA; San Jose Museum of Art, San Jose, USA |
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„Dark Places,” Santa Monica Museum of Modern Art, Los Angeles, USA |
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2005
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„Arshile Gorky Raymond Pettibon”, Aurora, Trento, IT |
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„After Cézanne”, Museum of Contemporary Art, Los Angeles, USA |
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„Masters of collage. From Picasso to Rauschenberg”, Fundació Joan Miró, Barcelona, ES |
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„Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper”, Andrea Rosen Gallery, New York, USA |
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„Southern Exposure”, Museum of Contemporary Art San Diego, La Jolla, USA |
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„Drawing from the Modern, 1975 - 2005”, Museum of Modern Art, New York, USA
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„Les Grandes Spectacles”, Museum der Moderne, Salzburg, AT
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„SITE Santa Fe, 5th International Biennial”, Santa Fe, USA |
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„Funny Cuts. Cartoons und Comics in der zeitgenössischen Kunst“, Staatsgalerie Stuttgart, Stuttgart |
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„Big Bang: Destruction and Creation in 20th Century Art”, Georges Pompidou Center, Paris, FR
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2004
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„The Whitney Biennal“, The Whitney Museum of American Art, New York, USA |
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„Joyce in Art“, Royal Hibernion Academy, Dublin, IR |
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„100 Artists See God“, Naples Museum of Art, Naples, USA; The Jewish Museum San Francisco, San Francisco, USA; Laguna Art Museum, Laguna Beach, USA; Memorial Art Gallery, University of Rochester, Rochester, USA |
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„La Fabrique du Sensible“, Musée departemental d’Art Contemporain de Rochouart, Rochouart, FR |
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„Marilyn: From Anastasi to Weegee“, Sean Kelly Gallery, New York, USA |
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„Subway Series: The New York Yankees and the American Dream“,Bronx Museum of the Arts, New York, USA |
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„Power Corruption and Lies“, Roth Horowitz, New York, USA |
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„Off the Record: Sound Arc“, Musee d’Art Moderne de la Ville de Paris, Paris, FR
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„In Situ: Installations and Large-Scale Works in the Permanent collection“, Museum of Contemporary Art, North Miami, USA |
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„Eye of the Needle“, Roberts & Tilton, Los Angeles, USA
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„Paper“, Patricia Faure Gallery, Santa Monica, USA |
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„O.K., America!“, apexart, New York, USA
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„Friedrich Christian Flick Collection im Hamburger Bahnhof“, Hamburger Bahnhof-Museum für Gegenwart, Berlin |
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„Disparities & Deformations: Our Grotesque“, SITE Sante Fe International Biennial, Santa Fe, USA |
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„(In Search of) The Perfect Lover“, Hauser & Wirth London, London, GB |
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„Global World/Private Universe“, Kunstmuseum St. Gallen, St. Gallen, CH |
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„Beautiful Losers: Contemporary Art and Street Culture“, Contemporary Art Center, Cincinnati, USA; Yerba Buena Center for the Arts, San Francisco, USA; Orange County Museum of Art, Costa Mesa, USA; Pennsylvania Academy of the Fine Arts, Philadelphia, USA |
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„Drunk vs. Stoned“, Gavin Brown’s Enterprise, New York, USA |
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„Not Afraid”, Rubell Family Collection, Miami, USA |
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„Ulysses“, Atelier Augarten, Wien / Vienna, AT |
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2003
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„(In Search of) The Perfect Lover“, Kunsthalle Baden-Baden, Baden-Baden; Museum Dhondt Dhaenens, Deurle, BE; Hauser & Wirth, London, GB |
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„Inaugural Exhibition“, Regen Projects, Los Angeles, USA
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„For the record: Drawing contemporary Life“, Vancouver Art Gallery, Vancouver, CA |
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„Colleccion MACBA“, Museu d`Art Contemporanei de Barcelona, Barcelona, ES
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„Visual Poetics: Art and the Word“, Miami Art Museum, Miami, USA |
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„Visions of Masochism in Art“, Neue Galerie Graz und Stadtmuseum Graz, Graz, AT
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Galleria Massime De Carlo, Mailand / Milan, IT
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„A perilous Space“, Magnani, London, GB
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„Sex“, Karyn Lovegrove Gallery, Los Angeles, USA
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„The Great Drawing Show: 1550 – 2003 A.D.“, Michael Kohn Gallery, Los Angeles, USA
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„Outlook International Art Exhibition“, Athen / Athens, GR |
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„Blinde wehrt Euch“, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf |
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„Seethe“, Catriona Jeffries Gallery, Vancouver, CA
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„Falkenberg Collection“, Phoenix Kulturstiftung, Hamburg |
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„American Short Stories: R. Juarez / Saul Steinberg / Raymond Pettibon“, Museum of Contemporary Art, North Miami, USA |
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„Philip Guston / Bruce Nauman / Raymond Pettibon“, Brooke Alexander, New York, USA |
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„Cruel and Unusual: an Exhibition to Benefit the West Memphis Three“, Sixspace, Los Angeles, USA |
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„Lee 3 Tau Ceti Central Armory Show“, Villa Arson, Nizza / Nice, FR |
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„High Desert Test Sites“, Joshua Tree National Park, Pioneer Town, USA |
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„State of the Art“, The Surf Gallery, Laguna Beach, USA
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„Urban Incident“, Beaumontpublic + Königbloc, LU |
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„Los Angeles Contemporary Exhibitions 4-Ever 23rd Annual Benefit Art Auction“, LACE, Los Angeles, USA |
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„Kopfreisen. Jules Verne, Karl May und andere Grenzgänger in der Kunst“, Landesmuseum Joanneum, Trautenfels, AT |
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„25th International Biennial of Graphic Arts“, Ljubljana, SI |
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„Dessinez avec Desirée“, Galerie Meyer Kainer, Wien / Vienna, AT |
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2002
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„Documenta XI“, Kassel |
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„Extra Art: A Survey of Artists’ Ephemera, 1960-1999“, Institute of Contemporary Art, London, GB |
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„Melodrama“, ARTIUM, Vitoria-Gasteiz, ES; Centro José Guerrero, Granada, ES; Marco-Museo de Arte Contemporanea de Vigo, ES |
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„Copy“, Roth Horowitz, New York, USA
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„The House of Fiction“, Sammlung Hauser und Wirth in der Lokremise, St. Gallen, CH |
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„Startkapital“, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf |
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„Shoot the Singer“, Institute of Contemporary Art, Philadelphia, USA |
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„Ten years Galerie Hauser & Wirth“, Galerie Hauser & Wirth, Zürich / Zurich, AT |
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„Permanent Collection Galleries, Post-1945 Art“, Dallas Museum of Art, Dallas, USA |
|
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„Les années 70: L’art en cause“, CapcMusée d’art contemporain Entrepot, Bordeaux, FR |
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„Colourblind: Works in Black and White“, Ikon Ltd. / Kay Richards Contemporary Art, Santa Monica, USA |
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„Time Machine“, Kunstmuseum Bern, Bern, CH |
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„Prophets of Boom - Works from the Schurmann Collection“, Staatliche Kunsthalle Baden-Baden, Baden-Baden |
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„Tele(visions)“, Kunsthalle Wien, Wien / Vienna, AT |
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„Heaven Knows I’m Misrable Now“, Low, Los Angeles, USA
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„Plus Ultra“, Kunstraum Innsbruck, Innsbruck, AT |
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„Kopfreisen. Jules Verne, Adolf Wölfli und andere Grenzgänger“, Kunstmuseum Bern, Bern, CH; Kulturzentrum Seedamm, Pfäffikon; Landesmuseum Joanneum, Trautenfels, AT |
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„haus 0, ‘>Redirect’“, Künstlerhaus Stuttgart, Stuttgart |
|
2001
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„IN FUMO“, Galleria of Modern and Contemporary Art, Bergamo, IT |
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„The Inward Eye“, Contemporary Arts Museum, Houston, USA |
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„Letters, Signs & Symbols“, Brooke Alexander Editions, New York, USA |
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|
„American Tableaux“, Walker Art Center, Minneapolis, USA; Miami Art Museum, Miami, USA; University of Iowa Museum of Art, Iowa City, USA |
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|
„I Love New York“, David Zwirner Gallery, New York, USA |
|
|
„American Art from the Goetz Collection“, Galerie Rudolfinum, München / Munich |
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„A* comme Accident“, Galerie Chantal Crousel, Paris, FR |
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„READ ALL ABOUT IT!“, Greg Kucera Gallery, Seattle, USA
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„Das Gute Leben“, Galerie Gebr. Lehmann, Dresden
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„Selections from the Permanent Collection“, San Francisco Museum of American Art, San Francisco, USA |
|
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„Wechselstrom (Alternating Current) Part 2“, Sammlung Hauser und Wirth, St. Gallen, CH |
|
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„Locating Drawing“, Lawing Gallery, Houston, USA
|
|
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„Drawing Exhibition“, Lawing Gallery, Houston, USA |
|
|
„The Beauty of Intimacy. Lens and Paper“, Kunstraum Innsbruck, Innsbruck; Gemeentemuseum Den Haag, Den Haag / The Hague, NL |
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„Ziviler Ungehorsam. Die Sammlung Falckenberg“, Kestner Gesellschaft, Hannover |
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„(W)interface“, Galerie Tanja Rumpff, Haarlem, NL |
|
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„New Prints 2001 – summer“, International Print Center New York, New York, USA |
|
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„Fiction / Réalité, la Collection du Frac Nord-Pas de Calais“, Erholungshaus Leverkusen, Leverkusen; Feierabendhaus Dormagen, Dormagen |
|
2000
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„00“, Barbara Gladstone Gallery, New York, USA |
|
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„Art on Paper 2000“, Witherspoon Art Gallery, Greensboro, USA |
|
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„Drawings“, Tache-Levy Gallery, Brüssel, Brussels, BE |
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„Sammlung (1) - The Oldest Possible Memory“, Sammlung Hauser and Wirth, St. Gallen, CH |
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„L.A.- ex“, Museum Villa Stuck & Marstall, München / Munich |
|
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„L.A.“, Monika Spruth & Philomene Magers, Köln / Cologne; Ileana Tounta Contemporary Art Center, Athen, GR |
|
|
„Mirror's Edge“, Bildmuseet, Umsea, S; Vancouver Art Gallery, Vancouver, CA; Castello di Rivoli, Turin, IT; Tramway, Glasgow, GB |
|
|
„Made in California“, Los Angeles County Museum of Art, Los Angeles, USA |
|
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„Jahresgaben 2000“, Schleswig-Holsteinischer Kunstverein, Kiel |
|
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„To Infinity and Beyond: Editions for the Year 2000“, Brooke Alexander Gallery, New York, USA |
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L’espace d’art contemporain (les Halles), Porrentruy, CH
|
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1999
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„The American Century: Art and Culture, 1900-2000“, Whitney Museum of American Art, New York, USA |
|
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„Los Angeles“, Philomene Magers Projekte & Maxmilian Verlag, München / Munich |
|
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„Weg Aus Dem Bild“, Georg Kargl, Wien / Vienna, AT |
|
|
„Gallery Swap“, Contemporary Fine Arts, Berlin; Sadie Coles HQ, London, GB
|
|
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„Stop the Violence“, Academy of Fine Arts, Wien / Vienna, AT |
|
|
„Hypertronix“, Espai d'Art Contemporani de Castello, Castello, IT |
|
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„Life/Boat“, MAK Center, Los Angeles; MAK, Wien / Vienna, AT |
|
|
„Collectors Collect Contemporary: 1990 - 99“, The Institute of Contemporary Art, Boston, USA |
|
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„It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art“, Austin Museum of Art, Austin, USA |
|
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„Life Lessons: How Art Can Change Your Life, The Judy and Stuart Spence Collection“, Laguna Art Museum, Laguna Beach, USA |
|
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„Get Together“, Kunsthalle Wien, Wien / Vienna, AT
|
|
1998
|
„Hindsight: 56 Recent Acquisitions“, Whitney Museum of American Art, New York, USA |
|
|
„Transfiguration“, Bronwyn Keenan, New York, USA |
|
|
„L.A. Current: Looking At the Light: 3 Generations of L.A. Artists“, UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, USA |
|
|
„Sea Change“, The Parrish Art Museum, Southampton, GB |
|
|
„Otto Dix / Raymond Pettibon”, Kunsthalle zu Kiel, Kiel |
|
|
„Double Trouble: The Patchett Collection“, Museum of Contemporary Art, San Diego, USA |
|
|
„Exterminating Angel“, Galerie Ghislaine Hussenot, Paris, FR |
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„Early Warhol Drawings, Recent Pettibon Drawings“, 11 Duke Street Limited, London, GB |
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„Self-portraits“, Galerie Tanya Rumpff, Haarlem, NL
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1997
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„1997 Whitney Biennial“, The Whitney Museum of American Art, New York, USA |
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„Kunst...Arbeit: Aus der Sammlung Südwest LB“, Südwestdeutsche Landesbank, Stuttgart |
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„Heart, Mind, Body, Soul“, Whitney Museum of American Art, New York, USA |
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„A Decade of Collecting: Recent Acquisitions in Contemporary Drawing“, Museum of Modern Art, New York, USA |
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„Heaven: Public View, Private View“, P.S.1 Contemporary Art Center, Long Island City, USA |
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„Elusive Paradise: Los Angeles Art from the Permanent Collection“, Museum of Contemporary Art, Los Angeles, USA |
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„Michael Craig-Martin and Raymond Pettibon“, Kunstverein Düsseldorf, Düsseldorf |
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„Angel, Angel“, Kunsthalle Wien, Wien / Vienna, AT; The Rudolfinum in Prague, Prag / Prague, CZ |
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„Meg Cranston, Paul McCarthy, Barry McGee, Raymond Pettibon, Jason Rhoades“, Galerie Tanya Rumpff, Haarlem, NL |
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„Sunshine & Noir: Art in LA 1960-1997“, Louisiana Museum, Humlebaek, DK; Kunstmuseum Wolfsburg, Wolfsburg; Castello di Rivoli, Rivoli, IT; UCLA at The Armand Hammer Museum, Los Angeles, USA |
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„Silent & Violent: Selected Parkett Artist Editions“, The MAK Center for Art & Architecture at the Schindler House, Los Angeles, USA |
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„Nicole Eisenman, Karen Kilimnik, Raymond Pettibon“, Galerie Rudiger Schottle, München / Munich |
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„10 Year Anniversary of the Kunsthalle Bern“, Kunsthalle Bern, Bern, CH |
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1996
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„Limited Edition Artists Books Since 1990“, Brooke Alexander Editions, New York, USA |
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„a / drift“,Center for Curatorial Studies, Bard College, New York, USA |
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„Sammlung Speck“, Museum Ludwig Köln, Köln / Cologne |
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„Horner, Pettibon, Baechler“, Southwest Texas State University, San Marcos, USA |
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„Acquiring Minds: Contemporary Art in Santa Barbara“, Santa Barbara, Contemporary Arts Forum, Santa Barbara, USA |
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„Sampler 2: More Videos from Southern California“, David Zwirner Gallery, New York, USA |
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„Chaos, Madness: Moods in Contemporary Art“, Kunsthalle Krems, Krems, AT |
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„My Hollywood“, Gallery 258, Los Angeles, USA |
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„NowHere: Work in Progress“, Louisiana Museum of Art, Kopenhagen / Copenhagen, DK |
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„L.A. Stories“, Dean Jensen Gallery, Milwaukee, USA
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„Ideal Standard Life“, Spiral Garden, Tokio /Tokyo, JP |
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„The Comic Depiction of Sex in American Art“, Andreas Binder Gallery, München / Munich |
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„Answered Prayers“, Contemporary Fine Arts, Berlin
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„Sammlung Volkmann zeigt: FAUSTRECHT DER FREIHEIT“, Kunstsammlung Gera, Berlin; Neues Museum Weserburg, Weserburg |
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„Sugar Mountain“, White Columns, New York |
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„New Art on Paper 2, acquired with funds from the Hunt Manufacturing Co.“, Philadelphia Museum of Art, Philadelphia, USA |
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„Sex and Crime. On Human Relationships“, Sprengel Museum, Hannover |
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1995
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„Das Ende Der Avantgarde: Kunst als Dienstleistung (Sammlung Schurmann)“, Kunsthalle der Hypo-Kulturstiftung, München/ Munich |
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„It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art“,(weitere Stationen bis 1998) Contemporary Art Center, Cincinnati, USA |
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„Strung Into the Appolonian Dream... “, Feature, New York, USA |
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„Komix“, Brooke Alexander Editions, New York, USA |
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„Smells like Vinyl“, Roger Merians Gallery, New York, USA |
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1994
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„Mapping“, Museum of Modern Art, New York, USA |
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„Dessins, 1894-1994“, 14 / 16 Verneuil, Paris, FR
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„SoggettoSoggetto“, Castello di Rivoli, Rivoli, IT |
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„Temporary Translation(s) - Kunst der Gegenwart und Fotografie: Sammlung Schurmann“, Deichtorhallen, Hamburg |
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„Dysfunction U.S.A.“, Arthur Roger Gallery, New Orleans, USA |
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„It's a Tough World Out There: Drawings by Mike Kelley, Joyce Pensato, and Raymond Pettibon“, Saint Louis Museum of Art, St. Louis, USA |
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„And“, Feature, New York, USA |
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„(Tiny) Shoes“, New Langton Arts, San Francisco, USA
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|
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„Up the Establishment: Reconstructing the Counterculture“, Sonnabend Gallery, New York, USA |
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„Please Don’t Hurt Me“, Galerie Snoei, Rotterdam, NL; Cabinet Gallery, London, GB |
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„The Use of Pleasure“, Terrain, San Francisco, USA |
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„Endstation Sehnsucht“, Kunsthaus Zurich, Zürich / Zurich, CH
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„Desire & Loss“, Carl Solway Gallery, Cincinnati, USA |
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„pendulaire avant la lettre“, Galerie Beaumont, LU |
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Eleni Koroneou Gallery, Athen / Athens, GR
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„Projets et Dessins“, Galerie Claire Burrus, Paris, FR |
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„Can You Always Believe Your Eyes: Recent American Drawings“, Museum of Contemporary Art DeBeyerd, Breda, NL |
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„Don't Look Now“, Thread Waxing Space, New York, USA |
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„Sampler“, Studio Guenzani, Mailand / Milan, IT |
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„Pen and Ink“, Santa Barbara Contemporary Arts Forum, Santa Barbara, USA |
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„Passing Through“, Galerie Walcheturm, Zürich / Zurich, CH |
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„[cut] - Los Angeles - 90’ernes kunstscene“, Kunstforeningen, Copenhagen, DK; Galeri F 15, Moss, NO; SE |
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„Grammarians“, Guggenheim Gallery, Chapman University, Orange, USA |
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1993
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„1993 Whitney Biennial“, Whitney Museum of American Art, New York, USA; National Museum of Contemporary Art, Seoul, KR |
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„PROSPECT 93“, Frankfurter Kunstverein, Frankfurt |
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„Richard Prince, Raymond Pettibon, Sean Landers“, Galerie Jürgen Becker, Hamburg |
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„Six Mois a Paris“, Air de Paris at Cafe Beaubourg, Paris, FR |
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„Summer Selections: Painting, Photography, Sculpture, Video“, Rena Bransten Gallery, San Francisco, USA |
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„Projet Unite“, Unite d’Habitation, Firminy, FR |
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„Sex Money Politics“, Nancy Drysdale Gallery, Washington D.C., USA |
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„Drawing the Line Against AIDS“, Peggy Guggenheim Collection, Venedig / Venice; Guggenheim Museum, New York, USA |
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„Mongrel Muse / Works on Paper“, Silkeborg Kunstmuseum, Silkeborg, DK |
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„Paper Trails: The Eidetic Image“, Krannert Art Museum, University of Illinois at Urbana-Champaign, Urbana-Champaign, USA; University Gallery in Chicago: I Space, Chicago, USA |
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„Urban Analysis“, Barbara Braathen Gallery, New York, USA |
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„Studio I“, Künstlerhaus Bethanien, Berlin
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„Summer Reading“, Texas Gallery, Houston, USA
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|
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„Live in Your Head“, Heligen Kreuzerhof, Wien / Vienna, AT |
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1992
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„LAX“, Galerie Ursula Krinzinger, Wien / Vienna , AT |
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„Twenty Fragile Pieces“, Galerie Analix, Genf / Genève, CH |
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„DIRTY DATA, Sammlung Schurmann“, Ludwig Forum für internationale Kunst, Aachen |
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„New Deal“, Bruno Brunnet Galerie, Berlin |
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„Connections: Explorations in the Getty Center Collections“, The Getty Center for the History of Art and the Humanities, Santa Monica, USA |
|
|
„True Stories“, ICA, London, GB |
|
|
„L.A. Art and the Art of the Nineties“, Galerie Ursula Krinzinger, Wien / Vienna, AT |
|
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„Drawn in the Nineties“, Katonah Museum of Art, New York, USA |
|
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„How It Is“, Tony Shafrazi Gallery, New York, USA |
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„Just Pathetic“, American Fine Arts, Co., New York, USA
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|
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„The Clinic“, Rosamund Felsen Gallery, Los Angeles, USA
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|
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„Drawings“, Stuart Regen Gallery, Los Angeles, USA |
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„DIN A 4“, Galerie + Edition Koch, Kiel |
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„Works on Paper“, Galerie Giesela Capitain, Köln / Cologne |
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„Helter Skelter: L.A. Art in the 1990’s“, Museum of Contemporary Art, Los Angeles, USA |
|
1991
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303 Gallery, New York, USA
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|
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„Ovarian Warriors vs. Knights of Crissom“, Sue Spaid Fine Art and Parker Zanic Gallery, Los Angeles, USA |
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„Examples Cool and Lonely“, Roy Boyd Gallery, Santa Monica, USA |
|
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„The Kelly Family“, Esther Schipper Gallery, Köln / Cologne |
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„No Man’s Time“, Villa Arson, Nizza / Nice, FR |
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„AIDS Timeline“, included in Group Material’s installation of the AIDS Timeline at the Whitney Biennial, Whitney Museum of American Art, New York, USA |
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„Letters“, Christine Burgin Gallery, New York, USA |
|
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„Presenting Rearwards“, Rosamund Felsen Gallery, Los Angeles, USA
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|
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„Multiples“, Feature Gallery, New York, USA |
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„Gang Bang“, Air de Paris, Paris, FR
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|
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„Dangerous“, Richard / Bennett Gallery, Los Angeles, USA |
|
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„Synthetic History“, Parker Zanic Gallery, Los Angeles, USA |
|
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„Works on Paper“, Thea Westreich, New York, USA |
|
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„Childhood Revisited“, Rena Bransten Gallery, Los Angeles, USA |
|
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„videos and a film about some schmoes who are trying to conform (yet miss)“, Robbin Lockett Gallery, Chicago, USA |
|
|
„Louder“, Gallery 400, University of Illinois, Chicago, USA |
|
1990
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„Work on Paper“, Paula Allen Gallery, New York, USA
|
|
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„Total Metal“, Simon Watson, New York, USA
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|
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„Drawing the Line“, Richard / Bennett Gallery, Los Angeles, USA |
|
|
„Just Pathetic“, Rosamund Felsen Gallery, Los Angeles, USA
|
|
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„Drinking and Driving“, Cleveland Center for Contemporary Art, Cleveland, USA; North Carolina State University Art Gallery, Raleigh, USA |
|
1989
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„Buttinsky“, Feature Gallery, New York, USA |
|
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„Amerikarms“, Hallwalls, Buffalo, USA |
|
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„Art as Religion“, Richard / Bennett Gallery, Los Angeles, USA |
|
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„Problems with Reading / Rereading“, Rhona Hollman Gallery, Chicago, USA
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|
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„Office Party“, Feature Gallery, New York, USA |
|
1988
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„LACA Boys“, Feature Gallery, Chicago, USA
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|
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„Near Miss“, Feature Gallery, Chicago, USA
|
|
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„Cartoon-Like“, MoMing Art Gallery, Chicago, USA |
|
1987
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„Head Sex“, Feature Gallery, Chicago, USA
|
|
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„Art of Politics“, Richard / Bennett Gallery, Los Angeles, USA |
|
1986
|
„Social Distortion“, Los Angeles Contemporary Exhibitions, Los Angeles, USA |
|
1985
|
Los Angeles Contemporary Exhibitions, Los Angeles, USA |
|
2007
|
„The whole World is watching“, Sophiensaele, Berlin
|
ausgewählte Videoscreenings / selected videoscreenings
|
2007
|
“North Atlantis”, Robert Berman Gallery, Santa Monica, USA
|
|
1996
|
"Sampler 2," David Zwirner Gallery, New York, USA |
|
|
"Chaos, Madness: Moods in Contemporary Art," Kunsthalle Krems, Krems, AT |
|
|
"Strange Days," The agency, London, GB
|
|
1994
|
"Please, Don’t Hurt Me!," Galerie Snoei, Rotterdam, NL
|
|
|
Cabinet Gallery, London, GB |
|
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"When Worlds Collide," Museum of Modern Art, New York, USA |
|
1993
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"Monitor 93: The Second Coming of the Cryptics," Frolundo Kulturhus and Goteborgs Kunstmuseum, Stockholm, SE |
|
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1993 "Videofilme von un mit Mike Kelley," Kino Walche, Zürich / Zurich, CH |
|
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"Into the Lapse," Karsten Schubert LTD, London, GB
|
|
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"Sampler," David Zwirner Gallery, New York, USA |
|
1992
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"Alive and Kicking ‘92," Film in the Cities, St. Paul, USA
|
|
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"Into the Lapse," 1301, Santa Monica, USA
|
|
|
Pacific Film Archives, University of California at Berkeley, Berkeley, USA |
|
|
Galerie Metropol, Wien / Vienna, AT |
|
|
ICA, London, GB
|
|
|
"[cut] - Los Angeles - 90’ernes kunstscene," Kunstforeningen, Copenhagen; Galeri F 15, Moss, NO; SE |
|
1991
|
"videos and a film about some schmoes who are trying to conform (yet miss)," Robbin Lockett Gallery, Chicago, USA |
|
|
Pacific Film Archives, University of California at Berkeley, Berkeley,USA |
|
1990
|
The Kitchen, New York, USA |
|
2010
|
Oskar Kokoschka-Preis |
|
2004
|
Bucksbaum Award, Whitney Museum of American Art, New York, USA |
|
2001
|
Wolfgang-Hahn-Prize, Ludwig Museum, Köln / Cologne
|
|
1991
|
„The Louis Comfort Tiffany Foundation Awards in Painting, Sculpture, Print-making, Photography, and Craft Media” |
|
The Art Institute of Chicago, Chicago, USA |
|
Dallas Museum of Art, Dallas, USA |
|
FRAC Nord-Pas de Calais, Lille, FR
|
|
Kunstmuseum St. Gallen, St. Gallen, CH |
|
Laguna Art Museum, Laguna Beach, USA |
|
Los Angeles County Museum of Art, Los Angeles |
|
Ludwig Museum, Köln / Cologne
|
|
Milwaukee Art Museum, Milwaukee, USA |
|
MNAM / CCI, Centre Pompidou, Paris, FR
|
|
Museion, Bolzano, IT
|
|
Museum Boijmans van Beuningen, Rotterdam, NL |
|
Museum of Contemporary Art, Chicago, USA
|
|
Museum of Contemporary Art, Los Angeles, USA
|
|
Museum of Contemporary Art, San Diego, USA
|
|
Museum of Modern Art, New York, USA |
|
Neue Galerie der Stadt Linz, Linz, AT |
|
Philadelphia Museum of Art, Philadelphia, USA |
|
Saint Louis Art Museum, St. Louis, USA |
|
Sammlung Deutsche Bank, Frankfurt am Main |
|
Sammlung Goetz, München / Munich
|
|
Sammlung Hauser & Wirth, St. Gallen, CH |
|
San Francisco Museum of Modern Art, San Francisco, USA
|
|
Stiftung Kunsthalle Bern, Bern, CH |
|
Tate Modern, London, GB
|
|
Vancouver Art Gallery, Vancouver, CA
|
|
Walker Art Center, Minneapolis, USA |
|
Whitney Museum of American Art, New York, USA
|