|
1959
|
geboren in/ born in Edinburgh, GB |
|
1960-66
|
Trinidad
|
|
1966-79
|
Canada
|
|
1979
|
nach London gezogen/ moved to London, GB
|
|
1979-80
|
Wimbledon School of Art
|
|
1980-83
|
St. Martin’s School of Art, B.A. |
|
1989-90
|
Chelsea School of Art, M.A. |
|
1990-00
|
Trustee of Tate Gallery, London, GB |
|
2002
|
nach Trinidad gezogen/ moved to Trinidad
|
|
2003
|
Gründung des/ foundation of STUDIOFILMCLUB, Trinidad (with Che Lovelace) |
|
seit/since 2005
|
Professur an der Kunstakademie Düsseldorf/ Professor at Art Academy Düsseldorf |
ausgewählte Einzelausstellungen / selected solo exhibitions
|
2009
|
„Peter Doig: not for sale“, Contemporary Fine Arts, Berlin |
|
|
„Peter Doig, New Paintings“, Galerie Michael Werner, New York, USA |
|
|
„Peter Doig, New Paintings“, Gavin Brown’s enterprise, New York, USA |
|
2008
|
„Peter Doig”, Tate Britain, London, GB; ARC / Musée d’Art moderne de la Ville de Paris, Paris, FR; Schirn Kunsthalle, Frankfurt |
|
2006
|
„Go West Young Man”, Museum der Bildenden Künste, Leipzig |
|
|
„Peter Doig: Studiofilmclub 2003 – 2006“, Ballroom, Marfa, USA |
|
2005
|
„Peter Doig: Works on Paper“, Windsor, Vero Beach; touring to London, GB; New York, USA; Toronto, USA |
|
|
„Studiofilmclub“, Museum Ludwig, Köln; Kunsthalle Zürich, Zürich, CH |
|
2004
|
„Metropolitain“, Pinakothek der Moderne, München / Munich, Kestner Gesellschaft, Hannover/ Hanover |
|
|
„Peter Doig / Jochen Klein“, Daniel Buchholz, Köln / Cologne |
|
2003
|
„Peter Doig“, The Arts Club of Chicago, Chicago, USA |
|
|
„Charley´s Space“, Bonnefantenmuseum, Maastricht, NL; Carré D’Art contemporain de Nimes, Nimes, FR |
|
|
„Peter Doig: Painter as Printmaker“, James Hyman Fine Art, London, GB |
|
2002
|
„Peter DOIG. The Prints“, The Bailey Collection, Toronto, CA |
|
|
„100 Years Ago“, Victoria Miro Gallery, London, GB |
|
|
„Peter Doig: Works on Paper“, Michael Werner Gallery, New York, USA |
|
2001-02
|
„Almost Grown“, The Power Plant, Toronto, CA |
|
2001
|
„Peter Doig“, Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, CA; National Gallery of Canada, Ottawa, CA; The Power Plant, Toronto, CA |
|
2000
|
„Echo Lake“, The Saint Louis Art Museum, Missouri, USA toured to Museum of Contemporary Art, Miami, USA; Matrix, University of California, Berkeley, USA |
|
|
„Almost Grown“, The Douglas Hyde Gallery, Dublin, IRL |
|
1999
|
„Country Rock“, Contemporary Fine Arts, Berlin |
|
|
„Version“, Kunsthaus Glarus, Glarus, CH |
|
|
„wing - mirror“, Gavin Brown’s enterprise, New York, USA |
|
|
„Version (Drawings) in Rirkrit Tiracanija’ s apartment“, Gavin Brown’s enterprise, New York, USA |
|
1998
|
„Peter Doig: Blizzard seventy - seven“, Whitechapel Gallery, London, GB; Kunsthalle, Nürnberg; Kunsthalle, Kiel |
|
|
„Buffalo Station“, Victoria Miro Gallery, London, GB |
|
1996
|
„Freestyle“, Victoria Miro Gallery, London, GB |
|
|
„Homely“, Gesellschaft für Aktuelle Kunst, Bremen |
|
|
Gavin Brown’s enterprise, New York, USA |
|
|
„Small Paintings“, Riding House Edititions, London, GB |
|
1995
|
„Blotter“, Contemporary Fine Arts, Berlin |
|
1994
|
„Concrete Cabins“, Victoria Miro Gallery, London, GB „Moyra Davey / Peter Doig“, Gavin Brown’ s enterprise, New York, USA |
|
|
„Peter Doig“, Gavin Brown’s enterprise, New York, USA |
|
1991
|
„Whitechapel Artist Award“, Whitechapel Gallery, London, GB |
|
1990
|
„Articule“, Montreal, Quebec, CA |
|
1986
|
„The Naked City“, Air Gallery, London, GB |
|
1984
|
Metropolitan Gallery, London, GB |
ausgewählte Gruppenaustellungen / selected group exhibitions
|
„Marlon Brando, Pocahontas and Me“, Aspen Art Museum, Colorado, USA |
|
|
2007
|
„The Painting of Modern Life”, Hayward Gallery, London, GB |
|
|
„Very Abstract and Hyper Figurative“, Thomas Dane Gallery, London, GB |
|
|
„Der Symbolismus und die Kunst der Gegenwart“, Van der Heydt Museum, Wuppertal |
|
|
„Leerräume des Erzählens", Wilhelm Lehmbruck Museum, Duisburg |
|
|
„The Secret Public - The Last Days of the British Underground 1978 - 88”, ICA, London, GB |
|
|
„Rockers Island - Olbricht Collection“, Museum Folkwang, Essen |
|
2006
|
„In den Alpen“, Kunsthaus Zürich, Zürich, CH |
|
|
„The Secret Public - The Last Days of the British Underground 1978 - 88”, Kunstverein München, München / Munich |
|
|
„Tate Triennial 2006: New British Art“, Tate Britain, London, GB |
|
|
„Eye on Europe”, Museum of Modern Art, New York, USA |
|
|
„Essential Painting“, The National Museum of Art, Osaka, JP |
|
|
„Surprise, Surprise”, ICA, London, GB |
|
|
„Travelling light“, Bonefantenmuseum, Maastricht, NL |
|
|
„Stillpoints of the Turning World”, SITE Santa Fe Biennial, Santa Fe, USA |
|
|
„In den Alpen“, Kunsthaus, Zürich, CH |
|
|
„Tate Triennial “Days like these”, Tate Britain, London, GB |
|
|
„Whitney Biennial “Day for Night”, Whitney Museum, New York, USA |
|
|
„Imagination Becomes Reality Part III. Talking Pictures“, Sammlung Goetz, München / Munich |
|
2005
|
„The Triumph of Painting. Part I“, The Saatchi Gallery, London, GB |
|
|
„René Daniels, Peter Doig, Silke Otto – Knapp“, Gavin Brown’s enterprise, New York, USA |
|
|
“Looking at Words: The Formal use of Text in Modern Contemporary Works on Paper”, Andrea Rosen Gallery, New York, USA |
|
|
“Munch Revisited: Edvard Munch und die heutige Kunst”, Museum für Kunst und Kulturgeschichte, Dortmund |
|
|
“Geschichtenerzähler”, Hamburger Kunsthalle, Hamburg |
|
|
„Wunschwelten“, Schirn Kunsthalle, Frankfurt
|
|
|
„The Big Bang“, Centre Pompidou, Paris, FR
|
|
|
Works on Paper: Georg Baselitz, Peter Doig, Jörg Immendorff, Per Kirkeby, Michael Werner Gallery, New York, USA |
|
2004
|
„54th Carnegie International“, Carnegie Museum of Art, Pittsburgh, USA |
|
|
„Rheingold III“, Städtisches Museum Abteiberg, Mönchengladbach |
|
|
„Museum der bildenden Künste Leipzig“, Contemporary Fine Arts, Berlin |
|
|
„The Undiscovered Country“, Hammer Museum, Los Angeles, USA |
|
|
„Contemporary Painting“, Colby College Museum of Art, Maine, USA |
|
|
„New Blood : New Young Artists, New Acquisitions“, Saatchi Gallery, London, GB |
|
|
„Huts“, Douglas Hyde Gallery, Trinity College, Dublin, IRL |
|
|
„the undiscovered country“, Hammer Museum, Los Angeles, USA |
|
2003
|
„Pittura / Painting: From Rauschenberg to Murakami 1964 - 2003. 50 International Art Exhibition“, Musei Civici Veneziani / La Biennale di Venezia, Venice, IT |
|
|
„‘Days like these’, Tate Triennal Exhibition of Contemporary British Art“, Tate Britain, London, GB |
|
|
„Unheimlich“, Städtische Galerie Delmenhorst, Delmenhorst |
|
|
„Happiness“, The Mori Art Museum, Tokio / Tokyo, JP |
|
2002
|
„Premio Biello per L’incisione“, Museo del Territorio Biellese, Biella, IT |
|
|
„Cavepainting“, Santa Monica Museum of Art, Santa Monica, USA |
|
|
„Cher peintre – Peintures figuratives depuis l’ultime Picabia“, Centre Pompidou, Paris, FR; Schirn Kunsthalle, Frankfurt, Kunsthalle, Wien / Vienna, AT |
|
|
„The Galleries Show“, Royal Academy of Art, London, GB |
|
|
„Art + Mountains: conquistadors of the useless“, The Alpine Club, London, GB |
|
2001
|
„About the Bayberry Bush, Parrish Art Museum, Southampton, GB, New York, USA |
|
|
„The way I see it“, Galeria Jennifer Flay, Paris, FR |
|
|
„Extended Painting“, Monica de Cardenas, Mailand / Milian, IT |
|
|
„Camera Works: The Photographic Impulse in Contemporary Art“, Marianne Boesky Gallery, New York, USA |
|
|
„Works on Paper: From Acconci to Zittel“, Victoria Miro Gallery, London, GB |
|
|
„Works on Paper“, The Kerlin Gallery, Dublin, IRL |
|
|
„Hier ist dort“, Salzburger Kunstverein, Salzburg, AT |
|
|
„EU“, Stephen Friedman Gallery, London, GB |
|
2000
|
„Spot On“, Victoria Miro Gallery, London, GB |
|
|
„Twisted: Urban and Visionary Landscapes in Contemporary Painting“, Van Abbemuseum, Eindhoven, NL |
|
|
„Drawings 2000“, Barbara Gladstone Gallery, New York , USA |
|
|
„From a Distance: Approaching Landscape“, The Institute of Contemporary Art, Boston, USA |
|
1999
|
„Peter Doig and Udomsak Krisanamis“, The Fruitmarket Gallery, Edinburgh, GB |
|
|
Galerie Ghislaine Hussenot, Paris, FR |
|
|
„From A - B and Back Again“, Royal College of Art, London, GB |
|
|
„Contemplating Pollock“, Victoria Miro Gallery, London, GB |
|
|
„Matthew Higgs“, Anthony Wilkinson Gallery, London, GB |
|
|
„River Deep Mountain High“, Gallery Westland Place, London; The Cooper Gallery, Dundee, GB |
|
1998
|
„About Vision: New British Painting in the 1990’s“, Laing Art Gallery, Newcastle, UK |
|
|
„Sunday“, Cabinet Gallery, London, GB |
|
|
„Peter Doig and Udomsak Krisanamis“, Arnolfini Gallery, Bristol, GB |
|
|
„UK - Maximum Diversity“, Galerie Krinzinger im Benger-Areal, Bregenz / Galerie Krinzinger im Semperdepot, Wien / Vienna, AT |
|
1997-98
|
„New found landscape“, Kerlin Gallery, Dublin, IRL |
|
1997
|
„Alpenblick“, Kunsthalle Wien, Wien / Vienna, AT |
|
|
„Malerei 4“, Galerie Monika Sprüth, Düsseldorf |
|
|
„Package Holiday, New British Art in the Ophiuchus Collection“, The Hydra Workshop, Hydra, GR |
|
|
„About Vision: New British Painting in the 1990’s“, Christchurch Mansion, Ipswich, GB |
|
1996
|
„About Vision: New British Painting in the 1990’s“, Museum of Modern Art, Oxford, GB |
|
|
„Faustrecht der Freiheit“, Kunstsammlung Gera, Neues Museum Weserberg, Bremen |
|
|
Ghislaine Hussenot, Paris, FR
|
|
|
„There’s a painting on the wall“, a collaboration with Matthew Higgs, Anthony Wilkinson Fine Art, London, GB |
|
|
„Answered Prayers“,with John Currin, Richard Patterson, Raymond Pettibon, Contemporary Fine Arts, Berlin |
|
|
„Belladonna“, ICA, London, GB |
|
|
„About Vision: New British Painting in the 1990’s“, The Fruitmarket Gallery, Edinburgh, GB |
|
1995
|
„Zombie Golf“, Burbage House, London, GB
|
|
1994
|
„Here and Now“, Serpentine Gallery, London, GB |
|
|
„The Turner Prize Exhibition“, Tate Gallery, London, GB |
|
|
„Group Painting Exhibition“, Victoria Miro Gallery, London, GB |
|
|
„1st Prize Prix Eliette von Karajan“, Salzburg, AT; Paris, FR |
|
|
„Unbound: Possibilities in Painting“, cur. by Adrian Searle & Greg Hilty, Hayward Gallery, London, GB |
|
|
„New Voices“, British Council Touring Exhibition, Santa Monica, USA; Barcelona, ES |
|
|
Gavin Brown’s enterprise, New York, USA
|
|
|
„Imprint ’93 “, cur. By Matthew Higgs, Cabinet Gallery, London, GB |
|
1993
|
„Moving into View“, Royal Festival Hall, London, GB |
|
|
„Twelve Stars“, Barbican Centre, London, GB |
|
|
Project Unité Ferminy“, Ferminy Vert, Paris, FR |
|
|
„1st Prize Exhibition 18“, John Moore’s Prize, Liverpool, GB |
|
1992
|
„Inside a Microcosm“, Laure Genillard Gallery, London, GB |
|
|
„New Voices“, Centre Albert Borschette, Brüssel / Brussels, BE |
|
1991
|
„Barclay’s Young Artist Award“, Serpentine Gallery, London, GB |
|
1990
|
„Into the Nineties“, Mall Galleries, London, GB |
|
1989
|
„Raving Formalists”, Galerie Nomad, Montreal, CA |
|
1985
|
„Things as They Are“, Riverside Studios, London, GB |
|
1983
|
„New Contemporaries“, ICA, London, GB |
|
1982
|
„New Contemporaries“, ICA, London, GB |
Sammlungen (Auswahl) / collections (selected)
|
|
The Museum of Modern Art (MoMA), New York, USA |
|
|
Tate Gallery, London, GB
|
|
|
Saatchi Collection, London, GB
|
|
|
Centre Pompidou, Paris, FR
|
|
|
Philadelphia Museum of Art, Philadelphia, USA |
|
|
The Art Institute of Chicago, Chicago, USA |
|
|
Pinakothek der Moderne, München/ Munich
|
|
|
Bonnefanten Museum, Maastricht, NL |
|
|
National Gallery of Canada, Ottawa, CA |
|
|
Carnegie Museum Pittsburg, Pittsburgh, USA |
|
2006
|
Performance zu der Ausstellung / fort he exhibition „Peter Doig: Studiofilmclub 2003 - 2006“, Ballroom, Marfa, USA |
|
2008
|
Wolfgang Hahn Preis, Köln / Cologne |
|
1994
|
Prix Eliette von Karajan, Salzburg, AT |
|
1993
|
John Moores Prize, Liverpool, GB |
|
1991
|
Whitechapel Artist Award, London, GB |